First of all, thank you all for the good suggestions. I will look at all of them. May Flowers, I hadn't even thought of buttermilk, probably because of the name (isn't that horrible? I do that with paint colors too), but it has the same "splotchy" texture that I love in the Organic White and I found a few pictures of it and quite like it so I'll make sure to check that too. And excellent tip on checking hte actual slabs. I can't wait to get to that point! Lovetodream, I was happy with my consultation with Maria. I'm one of those people who will second-guess every decision I make and god forbid someone makes a negative comment ... that stuff never leaves my head no matter how much I love something. I got so frustrated with dealing with whites that I finally called her. What was especially helpful was having her explain why some colors wouldn't be good. I will say though, that her prices have gone up considerably since I had my consultation, so I'd probably be a little more reluctant to do it again because of that. Yes she provides very valuable information, but you might be able to find someone equally skilled at the same thing (i.e. a designer or a person who works for a stoneyard/designer) who could offer the same advice for free. If you do decide to do it, take LOTS of pictures of your space in different lights and give her names of anything you can (such as flooring) so you can make sure she's looking at the same colors you have. I don't think a one-hour consultation would be adequate for picking colors for an entire house. We used it up pretty much just one picking a white, which started in the kitchen.

I would just change the sheen unless you want more contrast. I would not use White Opulence in this situation because they are both too close but too different. It would be just "off" in that head scratching way. Now I do know White Opulence very well,as I've used it for all my trim and all the kitchen cabs in this house.

In response to the most recent posts (not trying to respond to the original from 3 years ago) - Winds Breath is more yellow in hue than green (in terms of the actual color) so if it looks green it is possibly reflecting green from some source (like if there's a lot of greenery outside the window) or it has to do with lighting. White Sand definitely has yellow in it - not "undertones" per se but the hue family is yellow. Every neutral belongs to a hue family so perhaps you need to find a cool white or gray? The conundrum I think for you is that if you want a soft, off-white those are yellow in hue. Sherwin Williams Icicle is a cool very light gray if you're trying to get away from yellow and green. Below is a link is to a great resource. Unfortunately, a year or so ago when I was using the information to choose paint colors there was more free info available that now requires a subscription. A good number of paint colors are analyzed though. If you have the patience you can get away from all the subjective information you see online about undertones with this system - it takes the guesswork out of the equation. Land of Color

if I am seeing yellow or seeing more gray and the more gray the more blue or green the color appears. ..... to you. That's the actual color appearance according to your color acuity which is defined by the context your viewing the color and the lighting where YOU are. Some people would describe how those colors actually look to them the same as you - they would agree. But some won't. Because they're viewing the colors in a different context and lighting than you. For example, comparing Extra White or Rhinestone to Lily White makes it easy to see why they belong to the Green-Yellow and Green hue families respectively. In context of a color that is factually blue, they are unlikely to look blue. We have to leave room for how other people see color in their actual space - which is different from you. Acknowledging that actual color perception is different from factual color, not only leaves room for everyone's perception of color but it also provides an elastic framework to manage the fact that color appearance is not static. How Jennifer sees color is actual color. It's a real. A completely validate-able and worthy of acknowledgement thing. LCh is the factual color framework we use to manage the diversity in color acuity person to person, context to context, lighting scenario to lighting scenario.