The aspect of rearranging a multitude of plants (of unknown quantities) you already have into other parts of the yard would be very complex, and therefore, difficult. It's not probable that you could get much comprehensive help by remote. You definitely have a knack for creating, ambition and some stock to work with. Even though certain aspects of the plan are a little funky looking by professional standards, what you've done nevertheless has charm and a certain homespun appeal that many people enjoy immensely. I don't mean any of that in any negative way. There are lots of lovely things around the world that are created like this. I would like to give you some food for thought as you progress with the project. Essentially, you are creating a functional piece of art. Because the main function is that of being a space that one is able to move through, it is easiest to think of it as a room or series of rooms (as you determine) that just happens to be outdoors. Therefore, it is made primarily of plants, dirt, trees and rocks ... those things that hold up well outdoors. Like inside, the room is made of "floor," "ceiling," "walls," "windows" and "doorways." If you were creating an indoor space, though you might have general ideas about them, you would not begin by dreaming about specific lamps, drapes, tables and chairs. You'd begin by thinking about window and door placements, wall textures and colors, trim and molding, floors and finishes, and how the ceiling will handle light. Later would come objects that go in the room that blend with the room itself: tables, chairs, lamps, rugs etc. For some odd reason, when we are creating outside space, people have the perpetual habit of falling in love with things ... objects (usually plants) that go in the room and start cramming the room full with their "pets" before they give much thought about the and architectural framework of the room itself. Outdoors, a tree or arbor creates a ceiling. A tree's canopy can not only seems like a roof, but also a very tall wall. Woody plants and vines can creates walls of whatever height one wishes. Sometimes they need extra support. Sometimes only trimming. Low growing, spreading plants create floors (as do rocks and earth.) Before thinking about irises, peonies and daffodils, it would be better to forget entirely about all the plants and concentrate on the forms, arrangements, heights and sizes that will define the room itself. You've all ready got a good start with a floor made of rock. Maybe it should be (visually) extended somewhat larger with a low growing, woolly looking mat of vegetation. It looks like you have begun a low wall already to separate the view into the neighbor's yard. Maybe a higher elevation "floor" (of plant material) should transition form the low floor to that wall. There are some good looking, freestanding "columns" (clean tree trunks ... very nice! ... almost palm tree like) to one side of the patio. Maybe each would look good resting on a circular base. You could begin by envisioning these "architectural" features of a plastic, formless material. (I once liked to think of everything being made of bread dough since it can take on any form.) Once the overall forms shape up, one could begin thinking about the specific character that will make up the forms. One might turn a ball of bread dough into a big leaf hydrangea, or a hedge of them. A pizza form that has been rolled out and placed next to the patio might become a bed of wild ginger or vinca minor ... it depends on what you like, what you have, the light and moisture conditions, and what you're willing to put up with. (Some plants have bad habits but they are so beautiful they must be tolerated!) You call the shots. I've gone on enough, but I think you get the general idea. Fall in love with the plants AFTER you know what you need and get those that can fill the bill. Sometimes a hedge can be a single plant material ... or it can be mixture of similar-sized plants, depending on the character that is desired. Usually, plant lovers can find a way to squeeze in -- in a sensible, artistic way -- most of the things they love. But if you don't do the architectural exercise first, you run the risk of creating something with a hodgepodge, cemetery-ish appearance ... with things sitting all over the place. It's good that you recognize the faults of the arbor. If it was at least 2' wider, a foot taller and made of beefier wood -- and painted! -- it would work better. I'll return with a hardscape suggestion when I get more time.

Practigal, the DW is one cabinet "south" away from the sink. I have no idea why there is a cabinet between but it's there, marked DW. It's possible the microwave is part of the DO stack. Rascal, do you plan a prep sink in the island? It would make your space more functional and give you a separate prep zone. This way you could have someone prepping, someone else cooking, someone else doing dishes, and someone else baking at the same time and they are all in their own zone. Without a prep sink, people would need to constantly walk over to the sink which adds unnecessary steps to prepping/cooking. And the DW should be right next to the sink.

Hi! Yes, there is a gap. I just moved in two days ago and moved them out of the way as the whole lofted area has storage underneath. The three staircases and dark wood sections of the floor can be lifted up or moved around. I do like the idea of some architectural drawing. How would three colorful but vintage prints like Tour de France, Grand Prix, or travel from Art.com? What If I put in a indoor tree where the arch light is? I'm really want to make sure it looks more "Adult" and less college/bachelor pad. https://www.art.com/products/p10116072-sa-i893840/ham-geo-monaco-1937.htm?upi=E8IFG0

Vinyl on that large of an empty field (the 'butterfly wing' on the left) will most likely show lots of waves and canning. I understand following the angle of the roof with the siding, but it usually is more successful on steeper angles. If it were me, I would be looking into alternative materials, like fibercement/Hardie, steel, or stucco (panels). I would separate the two wings visually with either horizontal and vertical lines mixed with solid. The front, and the garage (if that is what is on the other side of the swingset) I would "inadvertently" exclude from this design, just as the original designer did.