September Reading - a Late Start
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September: sweet corn, stormy skies, school bells. Your readings?
Comments (66)Georgia - happy to see someone else reading "The Moonflower Vine"... It was a title I found somewhere and dug up and enjoyed. I've been reading (and reminding myself) how to write by reading "On Writing Well" by William Zinsser. A book straight out of the late 1970's, Zinsser was/is? a prof at Yale and has a journalist's background. It's more of a primer than anything, but he has a good sense of humor and I've finally learned the plural of "genius" is "genii". And then speaking of well written, I am also reading and enjoying "Consuming Passions: Leisure and Pleasure in Victorian Britain" by Judith Flanders which is *packed* with detail about this time. Obsessed with Victorians as I seem to be, this is a great read and I'm having fun. However, it suffers from a steady stream of typos which is a bit distracting. Speaking of distracting, I am also reading "Skippy Dies" by Paul Murray about a death in an Irish boarding school. Light hearted and the writing is fine, but whoever decided to "translate" all the English/Irish bits into "American" needs to smothered. "Mum" or "Mam" is now "Mom". "Shopping Center" is now "mall" and numerous other examples. Unless things have been decidedly American in my long absence from living in UK?... All good reads if you're not too pedantic about stuff other than the story. (The pains of being an editor.) :-)...See MoreSeptember reading
Comments (42)Finished "Far From the Madding Crowd" by Hardy the other day - enjoyed it and found that as the book progressed, it became harder and harder to put down and go and do âÂÂreal lifeâ things. I ended up doing a marathon read last night and was really immersed into Wessex and the lives of the villagers that Hardy had conjured up. What I was most interested in this read was the difference in vocabulary and references that Hardy uses in his writing. ItâÂÂs been a while since I have needed to do a âÂÂNew Words to Meâ blog post, but reading Hardy helped me to add a lot of new words to that list, along with loads of references to biblical and Greek/Roman myths. So -- why is it that more recent/modern writers tend to stick to the familiar vocabulary and images when other older ones didnâÂÂt? Yes, some modern writers do play a lot of with language (John Banville comes to mind), but generally speaking, there is not the range of vocabulary in more modern publications. (Perhaps itâÂÂs just the ones that IâÂÂve been reading?) Is it because the older (read: Victorian) writers wore their learning lightly and made these literary references assuming that the reader would know them? Or were these older writers being elitist and showing off their education to their readers? Would the average reader at the time of Hardy know his references to IxionâÂÂs punishment and when âÂÂthe sailors invoked the lost Hylas on the Mysian shoreâÂÂ? Or were his readers just as puzzled as I was (and hitting the books to find out more)? Another curious point is the link between the main female character -- Bathsheba Everdene -- and the more current heroic character of Katniss Everdeen in âÂÂThe Hunger GamesâÂÂ. I had wondered if there was a connection between the two, and in further research, it seems that HG author Suzanne Collins did name Katniss as a homage to the Bathsheba character -- both have strong independent characters that donâÂÂt always go down well in the society in which they live, both have similar romantic issues (Katniss/Peter (I think), and Bathsheba/Gabriel)⦠I wonder how many teen readers know that as the reference? Probably not too many, I would think, which is a shame as Hardy is a great read. ItâÂÂs a shame that more people donâÂÂt read more Hardy -- I think they think of him as writer of tragedy and sadness, but if you read his Wessex books, they are pretty light-hearted and funny at times. IâÂÂd almost classify Hardy as a rural more down-to-earth Jane Austen in some ways, but people tend to get stuck on the disastrous story of Tess and get scared off. TheyâÂÂre missing out. Apparently, David Nicholls has adapted a version of this for the BBC to play in autumn 2013. Maybe I can catch a bit of this when I visit in November......See MoreSeptember reading
Comments (67)Vee, do you recall The Missing Will & A Dubious Codicil: A Double Autobiography by Michael Wharton? I finished it a week or so ago after noticing on the flyleaf where I had penciled in your name and the date 7 May 2006, probably because you reviewed it or at least mentioned it. Apparently, it took me more than eleven years to eventually get around to reading it! I should have suspected that Wharton had a wry, tongue-in-cheek style when I saw the title of the first chapter, "The Deformative Years." I wound up enjoying the second part, A Dubious Codicil, more than the first part because it covered the years he worked in Fleet Street writing the Peter Simple column for The Daily Telegraph (1957-1987, three or four times a week). Then he wrote a weekly column for the Sunday Telegraph for several years in the 1990s and then back to The Daily Telegraph for a weekly contribution. His last piece appeared there in January 2006, the month he died at age 92. Vee, did you follow Peter Simple? His glee at sticking his finger in the eyes of politicians and political junkies is hilarious to me (and infuriating, no doubt, to those who think politics should always be taken seriously but who are not so hidebound as to never read something that doesn't bolster their own opinions). Are there any Peter Simple-types left? I think I knew the young, female English reporter whose faux pas in 1974 was referring to Robert Mugabe as "Bob" to his face....See MoreSeptember Reading
Comments (119)I had heard good things about Pat Barker's book The Silence of the Girls so ordered a copy from the library. It is based on Homer's Iliad and some of Euripedes telling the gruesome story of the long wars between the Greeks and the Trojans through the 'voice' of Briseis captured daughter of a king, who has been made a slave to Achilles. What a bloodthirsty hate filled, revenge seeking, brutal lot the Greeks were . . . Endless scenes of stabbings, decapitations, blood-soaked ground, plagues of rats, endless rapes of the slave women. Even knowing that the 'story' came from such a great and ancient work did little for me and I only finished it because I thought I should and not to see if there was a Happy Ending, which of course there wasn't....See More- 4 months ago
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