Fall into November, what are you reading?
5 years ago
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Falling into November - current reads
Comments (150)Ok, I got through half of Pillars and am tossing it in the trade pile. I am now wondering if I actually read this book, coz I don't remember it being this bad. (WARNING WILL ROBINSON....SPOILERS ABOUND!) This book badly needs an editor, one who will keep his descriptions of every minutea (sp) of daily life to a minimum, one who would stop his constant reminders that so and so is sooooo horribly ugly, that this woman has unruly red hair (which in that day and age wouldn't be the case, it would be hidden), that her big dark eyes opened wide, it might have been readable. Said editor could also have told him to make the building of the cathedrals reflect the grandeur of these buildings, rather than a blow by blow description of every little thing (it read like a how to manual). Basically, his research was showing, something that is not good in historical fiction. The story of Tom itself was really well done, and if he just stuck with that, and his cathedral it could have been a shorter, tighter, more interesting book. But aside from Tom, every other character was cardboard. Each person was either good or bad. There was little complexity to them, little growth. But two things that really did it to me: the anachronisms, and gratuitious sex and violence Every other page had an example of either something out of place in the time period (the uncovered hair was the most glaring) or 20th century speech coming out of 12th century characters. AS to the gratuitious sex and violence - it was so unnecessary. Yes, it was a violent time. But why was it necessary to graphically detail every single murder in bloody detail? There were several descriptions of rape here that could have come off a police blotter, it was so detailed. This last was really creepy - the really bad bad character was a horribly self centered noble's son who thought it great fun to cause misery and death. He has fantasies about this young noble girl that were so over the top that I had to wonder if these were of the character, or of the author. When he finally does rape her, brutally and repeatedly, the author spares no details. And this happens several times throughout the book. Again, it makes me wonder about the author, more than gives me the sense that this young man is evil incarnate. The political angle between various chuch members and various nobles were interesting, but again each incident was black or white - he did not show the complexity that I am sure was involved in each situation. Ok, thats enough. If you want to know more about 12th century England, start with the Caedfael series. Then move on to Sharon Kay Penman, start with There Be Dragons, and continue on until When Christ and his Saints Slept, an incredibly well told tale about Englands first devastating civil war. And no, I won't be reading the sequel. I do need to read something tho that will get the bad taste of this book out of my head. Mary Modern has been recommended several......See MoreShorter days, longer evenings...what are you reading in NOVEMBER?
Comments (70)Notes on "The Go-Between" by L. P. Hartley (1953). "The past is a foreign country; they do things differently there." Well written, this novel focuses on the memory of an elderly man who is reflecting on the summer of his twelfth year which he spent at the home of a wealthy family of one of his school friends. (Another bildungsroman, it seems.) It's contrasted strongly with his own home life (which is poorer) and Leo, the protagonist, is acutely aware of the "right" things to do and say. It's also a balance between the social codes of his boarding school (which he and his friend attend) and what is appropriate for this summer visit. It's a rather fraught novel, I think, which has the overall impression of impending doom. (This is clearly mentioned on the back blurb though, so not giving the game away.) Hartley has done an excellent job of seeing through the eyes of a twelve year old at the beginning of the twentieth century in England. His recollections of how he viewed the world were spot on (to me), and his lush descriptions of endless summer days during school holidays is perfectly accurate: lengthy days, lassitude, and not much to do except mess around. Perhaps I had an odd childhood in the 1970's, but this was very close to how I remember my childhood growing up (although it might be burnished with the glow of memory.) These endless days of summer are also a great conduit for illustrating the impending doom (uncertain though that may be). The increasing temperatures (checked daily by the protagonist on the outbuilding's thermometer) links with the perceived increasing pressure of whatever news is to come, and thunderstorms hang in the air like heavy clouds. It's really well done. Leo is very interested in things of an astral nature: the signs of the Zodiac, his nickname of Mercury (the messenger in Roman mythology who wore winged sandals) and he half-believes that he has the power to control external forces such as the weather and sometimes other people's behavior and choices through magical curses (or spells, but mostly curses). The title comes mostly from the fact that Leo is tasked with taking messages between the young lady of the house and a local farmer, a totally unsuitable match that can only be conducted in secret. At first, Leo feels privileged to have been asked, but as the summer progresses and things get more complicated, it becomes a burden and a political minefield. The reader also learns the event that caused all the upheaval and led to a troubled adult life for Leo, but I shall say nothing here. (Don't want to give the story away. Suffice to say, it's good.) The Go-Between could also be interpreted to mean Leo's having to move between social classes, uncertain of how he should behave with whom (not only with him having to adapt to the higher social class, but also having to balance his friendship with the local farmer, a working class guy. And class was everything at this time.) ......See MoreNovember: what are you reading?
Comments (65)PAM, when I was at Palmyra in 2012, I didn't notice any of the boats (4 already there) moored in the west lagoon until we were nearly through the channel, the only ingress, parallel to Sand Island. I don't remember whether that was because I was too nervous watching for the reef or they weren't visible. It was probably the former because I do recall that from where we moored just off the west end of Cooper Island, boats were clearly visible outside the reef, looking southwest toward the channel. Nowadays, although there are no permanent occupants on Palmyra Atoll, there are temporary residents, employees of the Nature Conservancy and other U.S. government staff, year round. Any boats making a call at Palmyra have to seek permission to visit, and what with radios and other electronics, the staff at the station have to be contacted so they expect any boat's arrival. I don't know what the protocol is for refusing moorage to unauthorized visitors. From what I understand, in 1974 when the Sea Wind and the Iola were there, the atoll, although it was technically private property and permission was supposed to have been sought from the owners in Honolulu, in reality it was hard to keep tabs on what boats came and went. There were no permanent residents since the U.S. military abandoned it after WWII, but Palmyra was a crossroads of sorts for sailing from Hawai'i down to Pago Pago and other South Sea islands and back. Many boats probably stopped over for a few days just out of curiosity and to take a break. Some stayed for a few days and sometimes a few weeks. Apparently it wasn't unusual for several boats to congregate in the west lagoon for short periods, although there were spells when it was completely deserted. What both couples -- Mac and Muff Graham, Buck Walker and Stephanie Stearns - didn't realize was that Palmyra was frequented fairly often, though intermittently. They had expected it to be deserted except for each of the couples alone. Evidently, this caused resentment for those who wanted solitude and complete run of the place themselves. I don't think it would be particularly unusual these days to call in at any island or atoll of any size to find one or two boats already there or, if it was deserted, to be joined by other boats after a day or maybe just a few hours. Of course there's no way of knowing whether the occupants of those boats are good sorts or bad, but from my experience (limited to only half a dozen runs south of the equator) and the experiences of my DH and sons, the sailors seem to be mostly good, friendly sorts. The Grahams had the misfortune to meet up with Buck Walker, though. When you have finished the book, PAM, I would like to know what you think of Stephanie Stearns (Jennifer Jenkins in the book)....See MoreNovember is here: What are you reading this month?
Comments (100)Woodnymph, although I realize what Mangan was trying to do with her psychological thriller, Tangerine, I feel she was only partially successful. Like you, I enjoyed the setting and descriptions of Tangier especially. The part in Bennington, Vermont was not as interesting to me, but I suppose it was necessary to set up the dynamics of the relationship between Alice and Lucy and to a lesser extent the relationships of the women with John, Alice's husband. However, I think the characterizations were not well defined beyond Alice is weak and Lucy is bad; John seems barely drawn, in my opinion. That's the reason it is hard for readers (I'm one) to distinguish the women characters in the every-other chapter narration, which btw has become trite (it appears so often in today's novels that I'm tempted to impose a self-ban of reading any story told in that style). I've noticed in the past five years -- maybe as much as a decade -- crops of newer writers are trying to resurrect some of the older genres. Nothing wrong with that, because many of the old stories are fascinatingly atmospheric. Unfortunately, many of these writers don't have the skill to recapture the old style -- or even update it well. One example -- and Mangan is guilty, I think: Writers use opacity as a substitute for subtlety because they simply haven't worked out how to be subtle. Mangan's pastiche of Highsmith (I definitely see this influence) and maybe Tartt bear comparison. I don't know Gillian Flynn for anything but her Gone Girl which I didn't like, so I can't say about Flynn's and Mangan's styles being similar. As for a reviewer saying Mangan is a "literary descendant of Daphne du Maurier" - Ha! I've heard and read that as a lure for hopeful readers for going on sixty years now, and my mother says that particular come-on has been used since the 1930s. Hype is lazy, sometimes, and Mangan's Tangerine is as overhyped as any new thriller is nowadays....See More- 5 years ago
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