Oh thank you loves2cook. It's good to hear that these little postings can be of help. There are some wonderful books and blogs on food photography, some more technical than others, and certainly better than what I write here. I'm trying to keep it simple for now, and haven't mentioned words like aperture, shutter speed, ISO, so as not to frighten anyone LOL....at least not yet! SharonCb

Sharon, while I haven't been posting directly to your photo tip threads, I've been following them avidly. I so appreciate all the effort you've gone to to explain in such an easy way so many aspects of taking good [better for some of us] pictures. The last week or so I've been very busy organizing and then hosting our family reunion at a local fancy diner and have not had a real chance to digest the latest installments. The macro stuff interests me very much. I've tried to use my macro recently and found when I did the camera refused to take the picture?? Odd. LOL.. I'll figure it out but I suspect I'll have to dig through the manual to see what the problem is. Your post makes me suspect it has something to do with the camera not being able to focus on what I'm trying to do or the distance, or something..heh.. and it won't fire as self preservation. Smiles. I'll figure it out and then be back to digest more of your post. Btw, I got a tripod for my birthday! Yay.. I relative I had staying with me for a while apparently absconded with my last tripod. Grrrr... Needless to say I'm looking forward to using the tripod to work on some of your 'lessons'. Thanks for all your great work on our behalf.

Posted by canarybird (My Page) on Wed, Aug 5, 09 at 15:32 Food Photo Tips: Part 5 - Artificial Light Hi again everyone. I'm back with another entry on how to use your digital camera for taking tabletop photos. Finding the right illumination for taking food photos after dark can be even more challenging than finding the right window for daylight photos and much has been written about it. It would be an ideal situation if we all had a room off the kitchen with studio softbox lights set up over a table where we could just whip down the plated food, snap the shutter and then breeze back into the kitchen to serve the family dinner before it got cold. Those with large, well lit kitchens are lucky to have perhaps focal lights over a counter, or a well illuminated baking centre, ideal for photos. It is known that the larger the light source, the softer will be the shadows and conversely, the smaller and closer the light source, the sharper will be the shadows. So an ideal studio situation would be to have an illumination diffused enough so that it cast a flattering light without creating heavy shadows, used perhaps together with secondary lights and reflectors. Flash should never be used for food photos as it flattens the images so the result is most unattractive. But most of us have to cope with less than perfect conditions with over the counter strip lighting, lights in the stove exhaust hood, a lamp over the dining table or a small desk spot in a corner of the kitchen. This is an extensive subject which has turned into a large entry for today, so I'm going to separate it into paragraphs of different situations, showing how to cope with a certain type of lighting and equipment so you are able to digest it a bite at a time. 1. Worst Case Scenario - The Small Kitchen - One under-cupboard tube FLUORESCENT LIGHT: In this case, my tiny kitchen ...which has one old fashioned 8 watt fluorescent tube to illuminate the counter. Above you see the improvised studio: a white cutting board placed behind, a white paper towel as reflector hanging over the paper roll, a piece of white foam as reflector left, and the subject placed on a white paper napkin draped over two cereal boxes. Took just a minute to set up, and it worked fine, considering the less than ideal setting. Here's the result: Since indoor lighting is much weaker than daylight, the shutter speed of your camera will be slower, and the Scene settings such as Indoor, Candle and Available Light on your point & shoot will make that adjustment when you choose that scene. When the shutter stays open longer, any slight movement of the camera will cause a blurry photo. To put it simply, you really need a tripod when taking photos indoors after dark unless you can brace yourself and the camera so there isn't the slightest movement. To take this photo above in the weak light from the little 8 watt bulb I made several tries handholding the camera but without success, so I set up the tripod and was able to get a fairly decent photo. If you are trying to photograph your food in these light circumstances, you will need a tripod. In most cases there just isn't enough light to do it otherwise when avoiding flash. The camera was set to Scene: INDOOR, White Balance (WB) set to FLUORESCENT 1 (that's the first of those centipedes on your WB menu), and the Exposure Value (EV) was raised to 0+.3....that's one notch up from 0.0. More details on settings for anyone who likes to know: Shutter speed 1/25s Aperture.f/4.2 .ISO 800. How are you doing so far? I hope you find it still easy to understand. 2. Overhead Lamp - TUNGSTEN - single 60 watt bulb These are the incandescent light bulbs which are being phased out to be replaced by the new CFL (compact fluorescent lamp) bulbs which are much brighter at lower wattage and cooler temperatures. But many of us still have these in our homes and so I used this as an example of how to get by with just one such desk or floor lamp shining down on your subject. You may have to raise it up nearer to the lamp by using some books and a cloth covered tray. In this case I just put the plate on a small side desk under the light, and set up reflectors on either side.....the right side with the old photo frame and a piece of white printer paper clipped to it and on the left side another piece of white paper taped to the bookend. I'm quite pleased with the result, although it could have been a little brighter if I had used the EV (Exposure Value) button to lighten the photo with a setting of +0.3. Such a brightness can be adjusted in a post editing program. See what happens in the second picture when the AUTO white balance misread the light. This often happens when you forget to change it to TUNGSTEN, The camera in the left photo was set to Scene: PORTRAIT, White Balance (WB): TUNGSTEN, with no EV +/-. More details: Shutter speed 1/40 Aperture f/3.9 ISO 100 3. Overhead Lamp FLUORESCENT 1 1 CFL bulb Here I changed the incandescent (tungsten) bulb for a new compact fluorescent bulb (CFL) at 11 watts in cool daylight colour. Here is the picture that came from using that lamp, with the same setup as above in number 2, with reflectors either side. These bulbs are wonderful because they dont heat up, they use lower wattage for the same light intensity as a tungsten bulb and they last for ages. The camera was set to Scene: PORTRAIT, White Balance (WB): FLUORESCENT 1, with no EV +/-. More details: Shutter speed 1/40 Aperture f/3.5 ISO 100 4. Overhead Lamp and Small Spot FLUORESCENT 1 2 CFL bulbs Here is another setup on my desk, with a white paper sweep as backdrop , an overhead swivel desk lamp with a 15 watt CFL bulb and a mini spot light on one side with a 7 watt CFL bulb, the photo frame on the right as reflector with a piece of white printer paper clipped to it. If you were doing this in a photo studio, the lights used would be of a higher wattage and the whole setup would be more professional and perhaps the reflector on the right would be replaced by a third spotlight. The photo resulting from this homemade arrangement is on the right above. Ive used the first of the three fluorescent settings my camera offers. Its a little warmer than the other two. This is what happens when you mistakenly use a TUNGSTEN setting for your White Balance (WB) instead of a FLUORESCENT setting (Remember the centipedes). More about those CFL lamps: Heres the one in my desk lamp. It uses 15 watts and puts out the same light as a 75 watt tungsten bulb. Im also showing the card it came on as well as a closeup of the tiny 7 watt spot. You can see that the 15 watt bulb is rated as cool and it has a Kelvin value of 6400k. The Kelvin scale is one used to determine the temperature colour of light. The higher the number, the bluer or colder is the light. The lower numbers are for warmer light. The Kelvin rating of 5000k and 5500k are considered to be the same as pure white and noon sunlight and are therefore best for taking photos that resemble daylight. The store where I bought mine didnt have any at that rating but the 6400k , which you see marked on the card from the package, is also considered a daylight fluorescent lamp. If you need a warm fluorescent CFL for your house, look for a Kelvin rating around 3000k. Candlelight is rated at 1500k. The camera was set to Scene PORTRAIT, White Balance FLUORESCENT 1, with no EV +/- More details: Shutter Speed 1/25, Aperture f/4.0, ISO 100 5. Restaurants Overhead Tungsten Lamp(s) + Candles You may have to look underneath the lamp to see if its a tungsten (incandescent) bulb or a CFL (fluorescent) but when its combined with candlelight for a cosy romantic setting you could wonder what setting to use on your camera without resorting to flash. I would go for the INDOOR Scene setting and then try looking through the viewfinder with the White Balance (WB) set at TUNGSTEN and if everything looks blue, then you know you have to switch the White Balance to a fluorescent setting. The camera was set to INDOOR Scene, WB TUNGSTEN, with no EV +/- You could also try out the Scene setting of AVAILABLE LIGHT if you have that on your camera. It has a slower shutter speed so you will have to brace the camera and hold tightly and avoid any movement when you press the shutter. This is true of all photos you take in low light without a tripod. If there is more candlelight than electric light, try the CANDLELIGHT setting as well. A look through the viewfinder before snapping the shutter will tell you if the setting is right for that scene. You can ask your table partner to hold up a white napkin on the dark side of the subject to reflect some light onto it while you take the photo. I have done that. Of course it might attract some attention, but where we live there are many tourists and they often take photos of the food on their tables while on holiday, so here it's not unusual to do so. More details of 2 photos above: Shutter Speed 1/60, Aperture f/2.8, ISO 2500 Shutter Speed 1/20, Aperture f/2.8, ISO 2500 Another Restaurant Example: Overhead Tungsten Lamp : Here there must have been more than one bulb in this quaint array of bottles but you can see the atmosphere, bright on the table and indirect light on the diners. I believe I set the scene to PORTRAIT, but it could also have been INDOOR, The White Balance (WB) was set to TUNGSTEN with no EV+/- change. More details of first photo: Shutter speed 1/20 (Im amazed it turned out without blur), Aperture f/2.8, ISO 2500 Second photo of chips: Shutter Speed 1/125, Aperture f/2.8, ISO 2500. 6. Candlelight I didnt have a tripod for this but I braced myself and stopped breathing for a moment (not a good thing to do on your birthday) while pressing the shutter. Normally you would need a tripod for such a low light photo. I still dont know how it came out without blurring. The scene was set to CANDLELIGHT, White Balance (WB) AUTO and no EV+/-. More details: Shutter Speed 1/250, Aperture f/2.8, ISO 2500 Well I hope you have enjoyed reading today's entry and have found it useful. If you have questions please post them here or send me a PM. :-) Next week Ill show you how to make a mini light box and later well make a full sized one. I have mine started but need some more materials from the craft shop. In the meantime heres a preview of the mini light box and what you can do with it: So thanks for joining me. I'll be uploading the next installment soon. And please feel free to save the pages on your computer. Sharon (Canarybird) :-) (All text and photos copyrighted) Free for personal, non-commercial use Follow-Up Postings: o RE: Food Photo Tips: Part 5 - Artificial Lighting clip this post email this post what is this? see most clipped and recent clippings * Posted by happygram (My Page) on Wed, Aug 5, 09 at 23:53 You are completely awesome. I wish there were someone like you nearby who'd be teaching a photography course. Thanks so very much. Your time and effort are most appreciated. Mary o RE: Food Photo Tips: Part 5 - Artificial Lighting clip this post email this post what is this? see most clipped and recent clippings * Posted by shaun (My Page) on Sun, Aug 9, 09 at 9:03 If you published this in book form, it could be a Best Seller. Thanks. o RE: Food Photo Tips: Part 5 - Artificial Lighting clip this post email this post what is this? see most clipped and recent clippings * Posted by canarybird (My Page) on Sun, Aug 9, 09 at 19:34 Thank you Mary and Shaun. I hope you find some useful tips in these tutorials. :-) SharonCb

Posted by canarybird (My Page) on Wed, Aug 19, 09 at 16:21 Food Photo Tips Part 7: Macro, Closeups & Camera Icons Hi again everyone. I'm back with another entry on how to use your digital camera for taking tabletop photos. Today I want to again go over shooting closeups or macro photos, as well as explaining the use of some of those icons on your camera. Icons for MACRO and SUPERMACRO The term macro when used with photography refers to making small objects look larger through the lens of your camera. Point and Shoot cameras have a normal focal range within which objects are in focus, that is, the camera is able to see your subject clearly and record a sharp image. However if you get too close to something the camera is no longer able to focus. By using the MACRO function on your camera you are able to get a closer shot . You may have found that when you try to get a closeup picture of something on a table or even a closeup of a flower, the result is blurred, even though you braced the camera on the table or used a tripod and had enough light. Depending on your camera you were perhaps too close to the object for the camera to be able to successfully focus. Many digital cameras have a flashing focus light which you can see in a corner of the viewfinder or on the LCD screen to warn you that the camera could not focus properly while you attempted to take a closeup photo. You have to then move backward a little or switch on your MACRO mode. Remember that you should always press the shutter button half way to let the camera focus on your subject before pressing it fully. If the light begins to flash as you do that halfway press, then you know the photo will be out of focus unless you change something. Either move further away or turn on your MACRO setting, press halfway again and your focus lamp (that light in the screen corner that flashes) should stop flashing. It should stay fixed and give a little beep to tell you that it now has the subject in focus and you can finish pressing the shutter. Note: don't confuse the FOCUS light with the FLASH symbol because they can both blink. The flash symbol is a red thunderbolt, which if blinking, indicates there is not enough light to take an optimum photo. Examples of using PORTRAIT mode without MACRO when camera was too close to be within focal range, and then the same setup using PORTRAIT and MACRO mode. Some cameras have SUPER MACRO which allows you to get very close to your subject, where in some cases the camera can be placed less than an inch away from the subject. I'll show some examples: Coins in PORTRAIT mode without macro, then with MACRO, then with SUPER MACRO. Here are a couple of cameras owned by forum members with their focal ranges (distances at which things will be in focus.) The Kodak Easy Share DX 6490 - this camera will focus normally from infinity down to 2 feet away from the subject. If you want to get closer than 2 feet to that piece of blueberry shortcake, you will have to turn on your MACRO mode (it may also be termed CLOSEUP mode). The macro mode on this camera will focus from 2.3 feet down to 4.8 inches. So you should get a sharp picture within that range. Canon Powershot SD880 IS - another member's camera. This one can get as close as 1.6 ft in a normal mode setting. Closer than that and you have to turn on your MACRO mode which has a focal range of 1.6 feet down to 0.8". That means you could put the camera a little less than one inch away from your subject. That would be too close for food photography but you can try it at a distance of 1.6 feet and see how it turns out. On my Olympus SP560 UZ the macro and normal settings have the same focal ranges, which is 3.9" to infinity (10 cm to infinity.) So when I want to get really close I use the SUPER MACRO setting which gets as close as 0.4" (less than a 1/2 inch). Good for insects, flowers or miniature items. On the little pocket-size Olympus Stylus 800, the normal focal range is from infinity down to 19.7 inches. If I want to get closer than 19.7 inches to my subject, I have to turn on MACRO mode, which is good down to about 8 inches away. Closer than than I would switch on SUPER MACRO if it were appropriate for the photo. Examples with this pocket camera are the photos of eggs,above. You should be able to use macro in several of your cameras SCENE settings appropriate for a closeup photo , such as PORTRAIT, INDOOR, CANDLE, DOCUMENTS, AVAILABLE LIGHT, CUISINE, but not in pictures where distance is a necessary factor in the photo. (Landscape, landscape and portrait, fireworks, sunsets etc.) Try setting your camera to PORTRAIT mode and prepare a plate of fruit or other food. Set the WHITE BALANCE (WB) and if not during daylight, to the type of lighting you have. If the picture through the viewfinder (or LCD screen) looks dark, then use the EXPOSURE COMPENSATION (EV) button to get a plus factor until the picture through the viewfinder looks good. Take a picture. Then holding the camera in the same position (or with your tripod) switch on the same options plus the MACRO (or closeup) mode. Take the photo again and compare the two. Or better still, take several because its a fact that the more you practise and the more photos you take, the better they will become. If you continually experience blurry photos it might be a good idea to check out your normal focal range in your (shudder) manual under specifications, Macro Mode Shooting", or go online to *one of the websites that does reviews* and look at the specs for your camera model. There you will see the normal focal range (it may be called shooting range or macro/close-up mode) as well as the MACRO range. *A couple of good websites for checking out details of your camera are: Steves Digicams as well as DP Review. But the easy way to check it out is to get close to your subject, half press the shutter and if the focus light blinks, move back and repeat pressing the shutter until you find a distance where the light no longer blinks. That will be the focal limit of your normal range. Closer than that you will need to switch on MACRO. Other reasons for blurry photos are: 1. Not enough light. The camera needs more time to focus in low light and during that time you or the subject have moved. Use a tripod. This is true especially for indoor or evening photos, and when using night scene options on your mode dial. 2. Camera shake. Even though you have strong light your photos are still blurry. You are moving the camera or your subject is moving. Dont move the camera when you press the shutter button. Hold arms tightly to your sides, brace yourself against a wall, rest the camera on a solid object or use a tripod. If necessary, breath out and hold it while you press the shutter! (Remember to breath in again please.) Leaving MACRO for now, I wanted to go over the BUTTON OPERATIONS and THE MODE DIAL to briefly go over what some of those icons mean and what will they do when you click them into action. Heres a typical MODE DIAL, found on the top right of a digital camera When you turn this dial and select a mode, you are telling the camera to change the settings for a certain situation. Some cameras will have some of these icons together on a separate mode entitled SCENE or SCN on the mode dial. Typical mode choices found on the top of a modern camera dial are for :MOVIE, AUTO, CHECK PICTURES (Review), GUIDE, MY MODE, and M, S, A, P for choosing MANUAL, SHUTTER PRIORITY, APERTURE PRIORITY and PROGRAM. The photo shows icons for an older digital camera where some of the scene options were included there rather than in an in-camera menu. Heres what they mean: AUTO The simplest of all shooting modes, the settings are fully automatic. The camera selects what it deems to be the optimum focus and exposure for your still picture. PORTRAIT - suitable for taking a portrait style photo; the camera sets a wider aperture (lens opening) to blur the background a little, so the subject stands out clearly from the background. SPORTS - suitable for fast action shots, in this mode, the camera sets a faster shutter speed to catch moving objects such as people in sports events. LANDSCAPE & PORTRAIT the camera sets the optimal shooting conditions for a background scene with a subject in the foreground. LANDSCAPE the camera will use a small aperture (lens opening) to be sure the whole of the photo will be in focus, from foreground to background. This is the opposite setting to PORTRAIT where the background is deliberately blurred. Blues and greens are enhanced in this setting. NIGHT this is where you will need a tripod because the camera will use a slow shutter speed, meaning that any movement while the shutter is open will create a blurry photo. You can have some interesting results with coloured lights and portraits in night scenes. Do play around with this mode and see what comes out from your inventiveness. SELF PORTRAIT hold the camera at arms length and turn it toward you to take a photo of yourself. A fun mode. MOVIES the camera sets aperture and shutter speed for optimum results for taking movies. You may have to click on the microphone icon in one of your menus to include sound. MY MODE perhaps not seen on all cameras, this mode allows you to save a group of settings of your choice which can be recalled together with one click. PLAYBACK MODE allows you to go back and see the photos youve just taken. APERTURE PRIORITY also seen as AV on a mode dial. This setting lets you set the aperture setting manually while the camera chooses the appropriate shutter speed for that aperture (lens opening). SHUTTER PRIORITY also seen as Tv on a mode dial. This setting lets you choose the shutter speed manually while the camera chooses the appropriate aperture for that shutter speed. These two above settings are semi-automatic in that you have control over one or the other function. For example if you want to photograph sports and you know you need a fast shutter speed and dont want to rely on the automatic sports mode, then you would use the SHUTTER PRIORITY setting and let the camera choose the appropriate aperture. If you want to set a certain aperture setting but let the camera figure out the shutter speed then you would choose APERTURE PRIORITY. You can control the DEPTH OF FIELD, or the blurriness of the background where you want the background to recede and a subject in the foreground to stand out sharply by using a wide aperture setting. We could perhaps go in the next tutorial or so a little into DEPTH OF FIELD because I think many folks would like to learn how to get that beautiful effect of a single flower or piece of cake (!) standing sharply against a dreamy blurred background. PROGRAM MODE With just a little more freedom to be creative than the AUTO mode, here the camera sets both the shutter speed and the aperture, allowing you to adjust other functions such as white balance, ISO. I think this has been very long today so although we havent got much more to cover in the next two or three tutorials (I thought wed finish with ten all together), I think next time Ill go over the FLASH icon and FLASH menu as well as the SELF-TIMER option which lets you jump into your photos. Subjects Id like to mention: Depth of Field and how to make those beautiful Blurry Backgrounds, the important triangle of variables that you need to know: APERTURE, SHUTTER SPEED and ISO, how they work together and how to adjust them..or at least understand what is happening. And oh yes.I have to finish that full sized LIGHT BOX so we can see what results we can get from that! I hope you are understanding it all and if you have questions please ask here or PM me. So thanks for joining me. I'll be uploading the next installment soon. And please feel free to save the pages on your computer. Sharon (Canarybird) :-) (All text and photos copyrighted) Free for personal, non-commercial use Follow-Up Postings: o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by coconut-nj (My Page) on Mon, Aug 24, 09 at 8:38 Sharon, while I haven't been posting directly to your photo tip threads, I've been following them avidly. I so appreciate all the effort you've gone to to explain in such an easy way so many aspects of taking good [better for some of us] pictures. The last week or so I've been very busy organizing and then hosting our family reunion at a local fancy diner and have not had a real chance to digest the latest installments. The macro stuff interests me very much. I've tried to use my macro recently and found when I did the camera refused to take the picture?? Odd. LOL.. I'll figure it out but I suspect I'll have to dig through the manual to see what the problem is. Your post makes me suspect it has something to do with the camera not being able to focus on what I'm trying to do or the distance, or something..heh.. and it won't fire as self preservation. Smiles. I'll figure it out and then be back to digest more of your post. Btw, I got a tripod for my birthday! Yay.. I relative I had staying with me for a while apparently absconded with my last tripod. Grrrr... Needless to say I'm looking forward to using the tripod to work on some of your 'lessons'. Thanks for all your great work on our behalf. o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by canarybird (My Page) on Mon, Aug 24, 09 at 10:58 Thank you coconut, and good that you have a tripod now. I'm wondering what mode or scene you are using on your camera when you add in the macro factor. Are you in AUTO or PORTRAIT (closeup) mode? If you are in a scene mode such as landscape for example, you can't use macro as well because you would sending two different messages to the camera...a landscape or far away mode such as sport or sunset and macro, a very closeup mode. The other thing, if you are in PORTRAIT mode and adding in macro, the camera should take the picture unless you are too near your subject or it is too dark. Does you focus lamp blink (the dot in the corner of your screen) before the camera refuses to take the photo? If so, that tells you that the camera can't focus at the distance you are from your subject. Move back a little and keep pressing the shutter button half way several times until the blinking stops. Then take the picture. Let me know if that works and if not I'll think of something else. Luck....:-) SharonCb o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by coconut-nj (My Page) on Wed, Aug 26, 09 at 1:13 Good points Sharon, I'll check it out. I thought I had been in food mode, but maybe not. Also the lack of light is quite possible, I'll check that out too. Thanks. Smiles. o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by antiquesilver (My Page) on Sun, Aug 30, 09 at 1:42 I don't remember if it's this lesson or another that you suggested using the Self Portrait Timer setting with a tripod to avoid camera shake. So simple & yet so effective. The tripod part is standard but I don't remember being advised about using a timer before but it certainly makes a difference on inside shots. o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by canarybird (My Page) on Sun, Aug 30, 09 at 5:57 Right on track antique silver. I'm going over the self-timer in the next entry, hope to have it ready for Wednesday for those who have never tried out using that feature on their camera, along with setting up the tripod and some tips on that. The self timer avoids any shake you might cause to the camera when you press the shutter button. A shutter cable release is another inexpensive addition which permits you to press the shutter without disturbing the camera body. Both systems will help you to eliminate blur caused by camera shake. SharonCb o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by dirtgirl07 (My Page) on Sun, Nov 1, 09 at 13:54 Hi Sharon, I feel a little guilty not posting about food!! I have a question that you might be able to answer. I'm trying to take photos of miniature paintings (2.5x3.5in) and the varnish creates a major shine on them. Do you think your mini light box and macro would work on these? The shine is similar to that you get off of jewelry and silver. We've even tried scanning them in which does reduce that glare, but not completely. Thanks for any help! Beth o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by canarybird (My Page) on Sun, Nov 1, 09 at 17:28 Hi Beth.... If you're taking closeup shots of miniatures you should be in macro mode. Reflection is always a problem with shiny objects. The light box would be fine as long as you can diffuse the light source by using white tissue or drafting paper and can change the camera angle as well as moving the objects around until the reflected light is not bouncing up into the camera. It will take quite a bit of juggling around to get the angle where you don't see the reflection, but diffusion is just as important. Good luck! SharonCb o RE: Food Photo Tips: Part 7 - Macro & Camera Icons clip this post email this post what is this? see most clipped and recent clippings * Posted by dirtgirl07 (My Page) on Sun, Nov 1, 09 at 18:44 Thanks Sharon! I guess it's going to be an experiment. After posting the question I realized that these were not 3 dimensional either - but flat surface.. That was going to be a challenge on the surface glare. They have to be photographed straight on. The scanned version may have to do, but it doesn't pick up the detail well. Thank you for your posts on the photography - those were great. Your photos are all wonderful looking and after seeing them and a lot of gorgeous blogs, you must have trained a LOT of people. Makes looking at all that food delicious!! Beth