Sharon, I am trying to fathom quail eggs for a reasonable price. I am lucky to be able to get them for free, I have seen them for sale for more then $1 a piece. They are a convenient size when baking as well when you think a recipe would benefit form a little more egg. I am sure all of the topics will help me and be of interest. I struggle with both those topics. Especially the artificial lights in the winter as al our meals are after dark. I am using a DSLR that my DH recently got me and these still apply. -Robin

Antiquesilver...I imagine that ISO is not changeable when in any semi automatic mode. The camera wants to do that for you so it will most likely be automatic. However you should be able to raise the EV just one notch up to +0.3, or get a stronger light bulb. Also try substituting the thin cloth with white tissue paper or tracing paper. The cloth might be cutting out too much light. I know what you mean about too strong a light blowing out the detail on the silver pieces. But keep experimenting to get the right combination of camera setting, light and diffusor. If you are interested in reading photography books, I can highly recommend this one "Light - Science & Magic. An Introduction to Photographic Lighting."" by Fil Hunter, Steven Biver, Paul Fuqua. There are detailed explanations of setting up tabletop lighting with a whole chapter dealing with how to photograph metal objects. You might want to have a look in your library or bookstores. The ISBN (I have the 3rd edition) is: ISBN-13:978-0-240-80819-2 , published by Focal Press. Tutorial number nine will be a few days late this week. Probably have it ready for the weekend since we had a lot to do this week, including rescuing our new cat from a neighbour's locked backyard LOL. (All turned out well there.) SharonCb

Lars is you can get what you want with fully automatic settings then that's great and it's true you can usually make adjustments in Photoshop or other programs. I had some disappointing results the other day with my DSLR in the Botanical garden where there are extremes of dark shade and bright sunlight. I'm going back there again and will use only automatic to see what settings the same camera chooses and how the pics turn out. Then I can go back again and hopefully fine tune my settings for some better pictures. It's all trial and error sometimes in difficult lighting situations. Luckily the entrance fee is just a couple of Euros. :-) SharonCb

I have a problem with the camera I am using now in that I often accidentally set the flash because of where the toggle wheel is place. My camera looks very similar to yours, and I find it very easy to press the flash without realizing it. Sometimes it is difficult to turn off the automatic flash, and this is most irritating. Most of the photographing I do now is of furniture and of cardboard models of furniture that I make at work, and I really do not need a flash for this. In the past, I have photographed wall sconces for tear sheets and these were difficult because the finishes were often polished silver plate or polished nickel. I had to be very careful about what was reflected in the mirror finishes. Of course I had to be even more careful when I photographed mirrors, and I often did those on a dock with the background very far away, so that it would be blurred. That was before I could fix them in Photoshop. Lars