I prefer the deeper colors. I like Trailrunner's paint color. I also think black would look sharp even though I don't believe you want to go that direction. If you do have another color mixed in SW, take your sample and have them scan the color right from that. Then they should test the new paint right on the sample, blow dry, and make any necessary tweaks. I usually always have BM colors mixed in different paint brands. The two places I frequent, both make adjustments if need be to get it spot on. Even if they start by pulling the other paint brand formula from their system, I'd still have them test it on your sample.

You know, I'd go with seaworthy top and bottom. I love the color, and I think it would look less chopped up, plus the blue against the pine would look great. I would also check out Benjamin Moore New York State of Mind, BM Lucerne, Gentleman's Gray (although very dark) or SW Commodore.

If I had white or light furniture I would go darker! Right now the walls go really black at night. They are Cypress Green (Duron) I have dark Cherry rice bed and furniture. The bedding is light so that helps.

if I am seeing yellow or seeing more gray and the more gray the more blue or green the color appears. ..... to you. That's the actual color appearance according to your color acuity which is defined by the context your viewing the color and the lighting where YOU are. Some people would describe how those colors actually look to them the same as you - they would agree. But some won't. Because they're viewing the colors in a different context and lighting than you. For example, comparing Extra White or Rhinestone to Lily White makes it easy to see why they belong to the Green-Yellow and Green hue families respectively. In context of a color that is factually blue, they are unlikely to look blue. We have to leave room for how other people see color in their actual space - which is different from you. Acknowledging that actual color perception is different from factual color, not only leaves room for everyone's perception of color but it also provides an elastic framework to manage the fact that color appearance is not static. How Jennifer sees color is actual color. It's a real. A completely validate-able and worthy of acknowledgement thing. LCh is the factual color framework we use to manage the diversity in color acuity person to person, context to context, lighting scenario to lighting scenario.