Thanks, Sochi...but I haven't even figured out the mood board, yet. I have contractors out every day, working on my house. I've had time for a quick comment, here and there, but no time to concentrate on anything for more than a few minutes. Marcolo- Would you want to do it? That way you can clarify what the thread should be or not be. You did an excellent job, with the 1920s DAT :)

Thanks for the encouragement! Sochi, I think you're right, that is the quintessential french light fixture isn't it? I tried to mix it up a little with the different pendants over the island, but I do really like the shape of that chandelier. I'm really looking forward to the rustic modern. A lot of the homes close the ski resorts near my home would really do well with rustic modern interiors. I can't wait to see the great ideas.

If we do fashion, (or art) I would be willing to set it up because I think it's been a while. I have some thoughts about how I would like to do it. I don't think it necessarily has to be current fashion, although current fashion is so diverse, that covers an awful lot of bases. What I suggest is to use fashion as an inspiration or a particular garment as inspiration and this can drive the color scheme or the style of kitchen, and it could be done as a relatively subjective interpretation, or as objectively as you want: Meaning a Menswear kitchen could have a tan floor, navy cabinets, brass hardware, a striped backsplash and leather seating--as a classic "blue blazer" kitchen. A bridal dress could inspire an all Ivory kitchen. I would *not* want the kitchen to take a singular fabric from the fashion world and simply use it as a textile in the kitchen. The Idea is to reinterpret the fashion in the materials used for kitchens. I don't think a historical fashion needs to inspire a historical kitchen. This Ikat dress from the 18th c. could inspire a contemporary kitchen, for example.

jterriynn, the steampunk fashion stuff definitely has a sexual edginess. As for the steampunk decorating stuff, I've decided that it's not for me. ____ I really did try to take up this challenge but I've given up. Just thought I'd record a little of my journey and why I am going to quit. Surely a better thinker than I am will conjure a fabulous kitchen from the ashes of my fabulous ideas. First, I looked hard at the Metropole subway entrance and tried to channel it into a design. Didn't get anywhere. Without a grand high ceiling and skylight, this aesthetic is tough. Sure, I could have invented a high-ceilinged room with amazing glass and spidery separations between glass, but that's an architectural feature of the house or apartment that would be the impetus, not the muse itself. So then I got to thinking about Madame Curie and her cohort--now there were visionary scientists of the period! I asked my DH what he can recall of the huge science classroom that he worked in for roughly 30 years, in a c. 1900 building. He says "Hard maple floors. Oak cabinets--a whole wall of them. Long lab tables with a few sinks and bunsen burners. Tall curved faucets. Tall windows and window shades (the latter were removed when they got tacky looking. Not sure when this equipment was installed." I started working on a Marie Curie's lab theme for the kitchen olioboard--canisters lettered in that art nouveau Metropolitan typeface (see photo above) with "radium" and "pitchblende" stenciled on them and gaslight fixtures in ceiling and a steam radiator painted in an outlandish color but decided the whole thing was not worth my time. This was reinforced when I located a photo of Curie's lab, which made me recall that she had been allocated space in a "shed" outside of the physics dept, a silly woman working outside the mainstream. How's this for a setting for real-life science fiction? To quote her: "Its glass roof did not afford complete shelter against rain; the heat was suffocating in summer, and the bitter cold of winter was only a little lessened by the iron stove, except in its immediate vicinity. There was no question of obtaining the needed proper apparatus in common use by chemists. We simply had some old pine-wood tables with furnaces and gas burners. We had to use the adjoining yard for those of our chemical operations that involved producing irritating gases; even then the gas often filled our shed. With this equipment we entered on our exhausting work." All this just made me mad on behalf of Curie and did nothing for my peaceful kitchen. Besides, she was working with radium so the radioactivity might be hard on the family life and the cuisine. Here's another Curie laboratory image, I would assume for her later work== perhaps inspiring for another GW'er? a 40 x 30 print of this can be had for $200 Gotta admit: Science and cooking aren't in the same department. In fact, people make fun of modern "operating room" white kitchens--they are antimatter for a relaxing, gentle room. Then I tried to work up wallpaper based on Steiglitz's photo of a train yard...plenty of steam there! But I couldn't find a source of a blown-up version of the photo and I became afraid that the photo would be taken as being about trains--not a peaceful kitchen for me either! Then there's Joe Stella, a painter of 1920s who did numerous Brooklyn Bridge stylized paintings. I messed with his arches and colors. But this got me nowhere either. The truth: TNT explosiveness and edgy are not me and decorating with a steampunk science muse doesn't connect me to any worthwhile kitchen design. Sorry to be cranky, but I'm done here I think. I know it's fun but not the fun I can really enjoy. I look forward to somebody else's fun stuff on the postings Steampunk thread. Have fun stormin' the castle, visionaries! Here is a link that might be useful: Marie Curie lab poster from All Posters