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Helen
5 years ago
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Craftsman/Arts and Crafts exterior columns: pics?
Comments (11)Walkin Yesindeed, a reporter once asked Louis Sullivan the same basic question you just asked me, and got back one of Sullivan's typical cryptic responses: "I would describe it as the successful solution of a problem." Thanks a lot, Louis. Big help. And when somebody else asked Sullivan to describe the style of the Auditorium's own decoration, he said "I would prefer not to describe it at all. I would perfer for you to look at it yourself and make up your own mind." Let's just say that Sullivan would have gotten himself eliminated on the first round of something like "Design Star" that are less about design ability or artistic vision and more about personality & sense of humor. And those things are fine, but they have nothing to do with design. Anyway, here's the thing: like I said above, most of Sullivan's mature work was on major commissions: the Auditorium, the Chicago Grand Opera House, the Chicago Stock Exchange, department stores, banks, railway stations. After Adler & Sullivan becamse famous with the opening of the Auditorium, he seldom designed anything as small as a residence again, and most of the residential designs that came out of the office were in fact Wright's, or George Elmslie's, with Sullivan directing the overall design & the ornamental detailing. Even in this somewhat limited role, it was his vision that determined the aesthetic form of the finished buildings and the look that we think of as Sullivanian, in the same way that Fritz Kreisler & George Solti & Daniel Barenboim put their individual stamps on the sound of the Chicago Symphony, even though they weren't the ones playing all the instruments. Unfortunately, since Sullivan didn't really do residences, and never furnished the interiors of the houses that came out of the A&S offices, we have to look at his other buildings to find what motivated him, but it's not hard to see. In a letter to a banker client, he talked of the decorative scheme of the interior as a 'color symphony' and he wasn't kidding: the finished banking room has literally dozens of intermingled colors, mostly soft greens, yellows & oranges. It also has an elaborate stenciling scheme that blends all those contrasting colors with such subtlety that they seem to dissolve into a green haze that floats in front of the wall plane. Not only that, the main banking room is lit with a pair of gigantic arched windows of golden yellow & white glass, and at night the room glows with the light from four immense electroliers that hang from the corners of the room, fixtures in the form of gigantic clusters of sea green foliage & coiling, intertwined stems, all studded along their length with electric light bulbs. And don't forget the honey-colored Roman bricks on the walls, the intricately molded paster ceiling ai more tinys of green, the green terra cotta moldings, the bronze teller cages or the green marble counters. What's amazing was that this incredibly rich scheme was designed not for a sophiticated city audience but for a small-town farming community, where the people in line were likely to be standing in muddy boots & dirty overalls, and when he was designing for the really fancy people, it was amazing. But rather than intimidating the locals, it enobled them and their daily activities. Sullivan was a color genius, that's all I can say. After dinner I'll look up the description of his color scheme for the McVickers' Theatre here in the city, which, even as mere words on a page--the theatre was demolished decades ago--is one of the most striking combinations you'll ever see....See MoreCrystal Cabinets vs Rutt Regency vs ArtCraft vs St. Charles
Comments (4)I have Crystal and they look nice, but I would absolutely not pay retail for them. I was able to buy them for a little above cost from my lumber yard. They gave me the catalog that showed their list prices and they are beyond ridiculous. the markup is almost laughable. I just don't feel they are worth anymore than I paid for them. I don't know anything about the other cabinets you mentioned so it would be impossible for me to know how Crystal compares....See MoreFrom Transitional to Arts and Crafts?
Comments (13)While it's true that A&C is intrinsically a structural style, the OP likes a number of different styles and there are definitely things to do to make the room look and feel more turn-of-the century or Arts and Crafts. It would be helpful to see photos of the actual room, but here are some ideas that would make a big difference: Minimize gew-gaws (purely decorative dust-collecting objects). Choose objects for display that also serve a function. Think pitchers, candlesticks, lamps, mirrors, needlework. Eschew the curvaceous and embrace the rectilinear. Your big furnishings are already in place, but in selecting other objects, look for straight beefy lines, preferably real wood (of any species) pr metal, always with a matte finish. Think picture frames, mirrors, light fixtures. Your furniture color is fine. Look for Helen Foster's stencils online and choose a stencil pattern you like. Make one of the stencil colors blue to tie in the furniture. Stencil around the living rom at a height that seems right, but definitely closer to the ceiling than the midline. Ignore your w-to-w carpeting and use throw rugs on top. Choose any Orientals or look at William Morris designs for great patterns. O-stock has an extraordinary selection of well-priced rugs. Window coverings! Keep them as simple as possible. Muslin, cotton, like that. Stencil them as well if you want more pattern. Have fun!...See MoreCraftArt Butcher Block Island Tops
Comments (3)I went with Black Walnut Homeowner DIY pieces from Craft Art. I got samples of Black Walnut, White Oak, and American Cherry. The American cherry was a yellow/red, white oak was medium brown with honey blonde graining, and the black walnut sample was a definite medium to dark brown and I could see part of a dark filled knot. And definitely do the homeowner version. It has any knots filled and comes with one coat of oil already on it. After I bit the bullet and bought it, I was really pleased with the look and color of the Black Walnut that I finally settled on. It was a true walnut and was a warm to dark brown. I didn't need to (or even want to) stain it to get a really nice deep color we were going for. I did go ahead and get the "waterlox sealer/finish" and the "waterlox satin finish" that they recommended in their instructions - and you do need both if you want to make it waterproof and fully sealed. Seriously, their instructions were really helpful - even to someone like me who sort of knows what I'm doing (aka over confident when I shouldn't be, haha I am man enough to admit it). They were written like a... recipe? Had a breakdown of items you need, time frame it takes to actually do and time frame including dry time, then detailed instructions including hints and tips and stuff. Way better than the instructions I found on the crazy Ikea finish that I tried to use on a different project. Things we considered: - What color are your cabinets? Ours are medium to light brown, but I think we may have them repainted to an off white to make the black walnut stand out more in the future. -What color is the paint in that room? I personally think our grey/green makes the walnut look more "cool" in tone - but if the room was the yellow color we almost went with, the walnut would reflect that and pick up those yellow tones and be even warmer looking. -Do you want to match or contrast? Or both?! We have "mullican solid wood - oak" from loews. It is a medium brown but has dark almost black grains. We decided that would work well to compliment the Black Walnut and that the White Oak would make it too consistently yellowish of a tone in the room. This is our floor: I hope that gives ya something to work with. I am certainly not a designer, but now that its all installed and done, we get lots of compliments so that has to stand for something! Ps. My finishing products (the waterlox ones I mentioned) came a couple days before the top did, actually. I had a chance to practice which was really nice. Highly recommend a quick practice run, even if its on plywood or a 2x4, the technique matters on the last coat. Oh and last thing, I was able to find how much product I needed to finish it so I'm including that so you won't have to look through their site: "For a 2 oz. pouch, coverage is approximately 7.5 square feet for one coat. For a pint the coverage is 60 square feet for one coat. For a quart the coverage is 120 square feet for one coat." This is a LOT like what mine turned out like (minus the edge profile): Here is a link that might be useful: craft art DIY stuff - and if you have a contractor doing the install, tell him to watch the install video on there, too. Helped us a lot....See MoreHelen
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