I really like Body of Proof until the new shows started a couple of months ago. Dana Delaneys character was just becoming very mean and her attitude was being written as to be so condescending. I stopped watched it. You knew CSI:NY was gone because of the way the season finale was written with them all on the roof chatting. It was the same way CSI:Miami finished up their season with everyone having a drink at the bar. I'm glad Bones and Big Bang Theory are back. The new show Ironside - is that a remake of the old show starring Raymond Burr?

Hubby likes The Bridge, it aired last year for the first time. We also like Flashpoint, which are both Canadian shows, filmed in Toronto. Another one which was good but not picked up this year was The Border (also Canadian).

I only watched the first episode of Blood and Oil and could see how the whole thing was laid out for the season. It's way too breathless, in the current way of ABC shows, without the kind of dynamic lead that the Shonda shows have. The first episode of Blindspot is a total mess and I nearly dumped it, but there was nothing else interesting on when the second one aired and it was better. Turns out to be more intriguing than it should be. There's a woowoo element to it -- the tattoos seem too predictive to be merely roadmaps from old information, but even though there's really not much there, I find I enjoy it and like the characters. I liked the Limitless film, so have been watching the series. It keeps thinking like a film, however, and is going to exhaust itself or eat its young. For the moment, I like it kind of middling. It's sort of like a comic book style Castle with the naive rogue outsider leaping in. I wouldn't miss it if it were gone. I really like Quantico. It has the most depth of any of these shows. It has a lot of depth for a show that has depth. The characters are very well drawn and distinguishable one from the next, which is rare on TV ensembles. The parallel story telling between the academy and the future can be annoying, especially if one doesn't have eyes glued to the screen, but, unlike in some shows, there is enough difference between the characters and their past selves, and their relationships and the past relationships, that it's really very interesting. There's also some of that ABC breathless quality, but since there's actual peril, not made up soap opera peril, and since it's driven by a forward moving plot, it doesn't bother me. It's my favorite new show. I like Heroes Reborn, but it's not exactly new. :) And I liked Heroes. I think it's supposed to be a limited run, which is good, since the plot is save the world. For self-contained, episodic procedural, I like Rosewood. It could be an 80's show, but I like that the rogue outsider is a qualified professional rather than just some dude, and it doesn't matter what the body of the week is--I could just watch Morris Chestnut and listen to his voice and be sufficiently entertained. :) The supporting players are also good, though, so it's not a one man show, and it's a thrill every time the great Lorraine Toussaint has a scene (as his mother).

I wanted to watch Shades of Blue to see Liotta and Lopez, but in my usual fashion I didn't think of it at the right time. Now I see I've missed two episodes, so that's that--until maybe five or so years down the road, when I'll be able to binge-watch the whole series. LOL Never heard of Billions, but if it's on cable that explains it.