Resin, Some sources about Cedrus libani from Turkey Reforestation… http://ressources.ciheam.org/om/pdf/a75/00800313.pdf Ibrahim Atalay http://www.jeb.co.in/journal_issues/201001_jan10/paper_07.pdf Ibrahim Atalay http://www.uni-graz.ac.at/geowww/hmrsc/pdfs/hmrsc7/atalay29-38.pdf The turkish sources never mention the plant name Cedrus libani stenocoma. Just Cedrus libani. They should have use the „Turkish cedar” terminology, but they do not use it. If a turkish scientist knows only Cedrus libani, I’m ready to accept it as he is at home in his country. Generally I give much more credit in my conifer books to chinese scientists in describing their own flora (Sylva Sinica), as for russians in their country (Komarov, Czerepanov) like any others. Resin, I fully respect the british role in discovering in world’s botany, but since a time as the world is no more a british dominium, we have to accept the local science’s point of views. Sagalassos II The physical environment of Sagalassos http://books.google.com/books/p/leuven_university_press?id=L_41KIX2pVoC&printsec=frontcover&hl=nl#v=onepage&q&f=false The University Leuven followed archaeologic excavations in Sagalassos, which has a physical environment description. Belgian scientists were going on to give a complete picture about the excavating site, even deep climatic datas with. Here we can read, that the years average temperature in Sagalassos is 9,9 Celsius degree. This is the same as me in Hungary, but the Sagalassos environment is totally different. The coldest month is January with av. -5,8 with repeatedly coming -30 C. They have there 4 months dry and cold, and inside 80 days with dry sun. These are very hard circumstances with selecting power. The biggest problem is of these cedars the beeing without water. Maybe there is an av. yearly rainfall 600-1200 mm, the plants get water only once a year at snow melting! Summer is hot and dry, snow is even very much in winters, but the cedars there get water in a short month. Last, but not least about wind. I guess alaskan scientists know well, that a -20 C with 60 km/h wind works like a silent -40C. The USDA zones are used at us too, but not perfect. Cant make differece in frost resisting, climate resistence or winter resistence, which are very different things. My point of view with the high selected lebanon cedars, that if we carry them to a little or more better circumstances, they will not only survive, but they have very good chance to grow well in z5, as they do it. The new selecting program of HTJ is based on such like datas, and till now he brought out there 20 new cultivars ��" green, silvery or blue, also differents in habit, form etc. as Cedrus libanis are all different and variable inside the species. These plants are selected for dry continental circumstances in Eastern Europe and the Rockies in the States even up to Canada. The semidesert conifering will bring hopefully new achievements. Having an example of Cupressus. The semidesert cypresses from the US are very good selection matters to the continental Europe or even in Turkey. The last winter in Hungary was really hard with long -25-28 C frosts. The SW US originated cypresses in the very dry Arizonica Arboretum had no damage. The same cultivars in urban areas got heavy problems, many died or frosted up to 2-3 meters. I realized, that the continental cypresses have a big enemy: the water. The British Isles or Holland is not quite good for the continental cypresses: no heat, not enough sun and too much rain. If you want to select cypresses to the wet european areas, you should choose the himalayan or formosan specieses, which tolerate cold, sun and too much water. HTJ has some of them too after the world conifer discoveries of Debreczy and Racz in the last 30 years. Zsolt Notes Sagalassos II: report on the third excavation campaign of 1992 By Marc Waelkens, J.P. Page 231 and further Ibrahim Atalay, 1987 General Ecological Properties of Natural Occurence Areas of Cedar / Cedrus libani A. Rich./ Forest and Regioning of Seed Transfer of Cedar in Turkey Orman Genel Müdürlügü Yayini. Yayin No. 663 Ankara M. Boydak, Reforestation of Lebanon Cedar /Cedrus libani A. Rich./ in Bare Karstic Lands by Broadcast Seeding in Turkey Page 35 Zsolt

We have at least a thousand CD's in a cabinet in their original cases. We used to have more but DH finally got rid of those he no longer needed. They are all in a cabinet and organized alphabetically by artist's name. Except we only worry about the initial of the last name. It became too much work to put the CD back in the exact spot so this way, it really takes a quick scan to find the CD among the other artists with that initial. Sets, such as Time Life classical, jazz and movies are separated from the artists.

I don't know your market and certainly can't tell you what your home should sell for, but it should show very nicely if you can do just a little for the curb appeal. If the neighborhood is good and desirable, it's too bad you aren't enjoying it, but someone else should. I suspect the realtors are having a hard time because of a difficult market and/or the fact that your charming studio could be worth nothing to one buyer and worth a great deal to another. You'll need to play it up for the later. By way of example, we are facing a 25% increase in our appraised value this year because the only two homes to sell in the last 2 years have been very large corner lots with huge backyards on a greenbelt. As our area develops out, lots are getting smaller and there are some folks who will pay a HUGE premium for a large lot and a greebelt. My backyard though, on the oppposite side of the street, is small. I have to go in and argue that the recent comps on my street are not as accurate for my home as the next street over. Some neighbors are protesting and others are not -- they want to refi and remodel. The appraisal picture will continue to get fuzzier as the area ages. Back to your home and getting it sold. From what you have shown, the inside is lovely and the studio is charming -- play them up, but you have to get folks inside to do that. That means doing what you can to help the curb appeal and draw them in. If you can't paint the whole house and fix everything, try to fix anything that is structural and small enough that you can do it yourself without a significant expense. A small piece of rotted trim or a hole that can be filled and touched up might be repaired at little or no cost to thinking of but suggest thousands of dollars -- even no interest in making an offer for a buyer. For the cosmetic side, you just need enough to draw them in. Can you use your artistic nature and create a slightly weathered, but warm and inviting picture? The white shutters do stick out like a sore thumb. They were probably picked to tie in with the white window frames, but by themselves, they aren't working. I'd paint the porch columns, spindles, trim, maybe even the brick (or sandblast off the paint on the brick railing and spindles, but that would be more money and mess if you can't do it yourself and don't have the equipment). I was originally thinking black -- reminds me of New Orleans and wrought iron, and use it as a neutral backdrop to the plants and some color. Maybe more white or another color. Maybe someone with photoshop can help you there. Looks like the garden has color but could be a little neater -- maybe just trimming. Do you have a couple of mosaic pieces to add some color and interest? A birdbath or one larger piece might do it, or a couple of smaller pieces. If your studio has a bath and can be used as in-law unit, guesthouse, a rental, etc., really play that up in your listing and perhaps also in how you stage it for showing. It may be only workspace for you, but find ways to include some furniture and/or accessories to suggest an additional living area. Do some work yourself to carefully analyze the comps you are being given. What do they have that is the same, what is different, what is their condition (cosmetic and structural -- inside and out) and what would a person have to spend to get your home into tiptop shape? Good luck.

I agree there are a lot of pink old roses, many of them very beautiful. What distinguishes CdC/'Mme. Boll', in my experience, is the Portland habit: upright and not over-tall: mine after a decade stays at around 4'. I have a lot of old roses, and I really can't call to mind another with a similar habit, flower color, form, and fragrance (and rebloom), and foliage. By the way, back in 2007 or 2008 I bought from Schultheis CdC, 'Mme. Boll', and 'Mme. Knorr' in one order. They turned out to be the same rose as far as I could tell. I don't know whether there's a distinct 'Mme. Knorr' in commerce. I don't know what's being sold in the U.S. under these names. But I would strongly suspect a plant with long lax or arching canes of being a different variety. My rose is beautiful as can be. I can't speak for its disease resistance, as it tends not to be a problem here. But for the rest CdC/'Mme. Boll' is perfect.