I also think the current wall color looks ok in the room-- but for change, I do like the kona and graymount, eagle rock... I think the only thing that (to my eyes, on my monitor disclaimer) looks a bit off is the curtain color as well as the length. I like the rust and turqoise touches you have going on. I wonder if things might look "friendlier" if you changed from the brown sheets (which I guess might look very rich in real life, but on my monitor they look kind of drab and not happy)...?

Re Bluebars' comment: LOL--I would scatter them on the back of a quilt to cover all the little snips I had to make to make it lie flat after quilting. Had to do this with two quilts, and it would've been easier if I's had some nice little blocks to use for the applique. This thread has opened my eyes to that possibility. GrammyP: I like sashing for the same reason, but it failed me when I was making a SlideShow quilt, with all those little squares inserted in the sashing. Had to do some ripping and finagling there! The worst quilt I have ever made, so far as ripping out is concerned, was an all-batik 9-4. The important I-Spy squares were all dark prints, and I planned a variety of peach-colored or yellowish batik prints for the background, but as I began to put it together, I realized I hated it. Ordered more peachy batik so the background could be all the same fabric. Put together the first several rows (for a queen-sized quilt), realized I didn't like the effect of the quilt as a whole and decided to rip off a number of blocks on one side to make it lap-sized. Then realized that I had destroyed the symmetry of the pictures in the dark squares and had to rip and rearrange. In the process of doing which, I sewed in a block with cat pictures upside-down (Several other blocks had things like leaves and fruit that had no up or down; wouldn't you know I would pick one with directional squares to mess up on?) More ripping. To this day, I still don't get the usual good feeling when I look at that quilt. It is in service covering an unwanted piece of furniture in the living-room that DH can't bear to part with, so I see it often. As soon as I get around to finding or making something more attractive, this quilt gets to reside in the trunk of my car!

LFG can give off a purple-blue undertone in certain lighting. Just had it done and it was mixed correctly. I had our bedroom painted with it and in natural light, with sun, it is the beautiful gray most of love. In the evening, and with artificial light, it does put off those blue tones but for me, in a bedroom, it’s not offensive. I’m trying to look at it with an open mind and the important thing for me is it still feels soothing and fresh. We tried about 6 different grays on our walls (tan to start)... Analytical gray was too mocha, Chelsea gray was nice but a little too cement for a whole room. The key to make it pop was painting the ceiling Ceiling Bright White and we will do the trim and baseboards either in Alabaster or High Reflective White.

Everyone- thank you so so much! The recommendations make so much sense and are so incredibly helpful. I’ll definitely move the prints over and down and swap out the pillows for larger, more plush ones that pull colors from the prints. And oh my goodness, good call on the glare!! I took the glass out of one of the frames just to see and it’s a night and day difference. I never would have even thought of it. Now searching for anti reflective acrylic so my five year old doesn’t destroy the prints. The Houzz community comes through again! Thank you thank you everyone! Adding a pic just to show the difference with and without the glarey glass.