I'd also say Colonial Revival...as to whether the porch is original, it could be but the enclosure certainly isn't. It wasn't a sunroom either--in that era and between the wars, those were more commonly built on one end of the house, usually adjoining the living room...in grander houses, the other end might be a matching sunroom or a porte-cochere. A multi-depth porch isn't common, but it certainly wasn't unknown at the pre-War era. The enclosure is nicely done, but I'd change the two odd windows so that they match the other 8-light ones.

Thanks for the link to an interesting article. It's nice to have concrete reminders that the Mission-driven style we often think of as being the "norm" for the first decade or so of the 20th century actually wasn't. It's also good to be reminded of how rare a "purist" expression of a single decor style is, outside of architect-designed houses in which the architect also designed every stick of furniture and such in order to keep the "vision" undiluted by alien influences (as in many of FLW's projects, or Greene & Greene's "ultimate bungalows") or advertising photos! First photo above looks to me like a classic Bungalow that's been "updated" in a Colonial Revival style, which did indeed involve lavish applications of white paint to everything that didn't bite back. ;-) The author says that this photograph is from the late 1920s; by the mid-1920s, in your standard, ordinary, middle-class household Colonial Revival was pretty firmly established in place of Arts & Crafts, which was seen as dull and depressing. (White-painted woodwork was indeed used intentionally in many "real" Arts & Crafts-style homes, just as it was in Queen Annes and suchlike, most often in utility spaces, kitchens and baths, and sleeping rooms because paint-grade trim - which is still often better quality than today's stain-grade trim, isn't that depressing? - was cheaper. Using the expensive stuff in the public rooms and the cheaper in the private areas has a long and distinguished history!) White paint was also common in Edwardian-style decor, which was a "lightened-up" version of Victoriana characterized by lighter colors, white trim, lighter-weight fabrics, and less clutter but still plenty by our modern standards! Like the Arts & Crafts movement it was also a revolt against the heaviness and excess of late Victorian-era decorating, just a less radical departure, and more palatable to the owners of Queen Annes, Italianates, etc. who didn't want to move or do major alterations to their houses. Just slap some white paint on that dark trim, replace the multilayered velvet window treatments with light chintz or dainty lace to let the light in, put up some pale-colored floral wallpaper and pull up the busy carpeting - tah-daaaah! DH will be fascinated to see the burnt-on decorating on the trim in #2, since he is a rather passionate pyrographer (although it would take years for him to do any sizable amount of trim, since his preferred tools are a magnifying lens and the sun!). The fancy fretwork and clutter-laden decor ;-) aren't surprising for a house built in 1890, although I'm rather confused by the author's assertion that this is somehow "Craftsman" style just because there's some high, flat paneling? (I do like how they cheaped out on the exteriors and went a little crazy inside. *chuckle*)

Thanks, Starcraft. FWIW, those were built as commercial beach vacation rentals, although they had great charm and quirkiness. They were sprinkled all up and down the beach like grains from a pepper shaker. Each one had quite a bit of empty space around it, not all clustered together like most cottage colonies. Later, when the land was gobbled up for some of the most hideous condos ever built, many of the cottages themselves were sold and moved to various locations inland. I daresay a lot of folks in Pompano today think they were always over by the railroad tracks (and that they're from the 1920s boom days), but that's not true. EDIT I totally agree that the way they've got it fixed up is more in keeping with what you were looking for than the way the kitchens of any of the ones I was ever in actually looked.

Like many vintage homes, this house appears to have some features now identified with colonial revival architecture as well as craftsman style. The attic level window is colonial revival and entry sidelights are more of a colonial revival feature than craftsman. However, the front porch looks craftsman. Interior details might be leaning more towards colonial revival than craftsman...it would be interesting to see the moldings and staircase style.