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friedag

Good Standalones and One-Offs

17 years ago

I like a good mystery or a saga or a historical epic, occasionally. The operational word is occasionally: I'm not fond of series, which mystery writers are especially prone to producing; saga writers are wont to stretching things out to seventeen generations when they can; and writers of historicals often can get stuck telling the same story over and over, just switching the time periods slightly.

I don't have the time nor inclination to read forty-seven books by the same writer, in their proper order, and in a short-enough span that I won't forget the backstories and character developments from one book to the next. I'm probably lazy and have an attention-span deficit; and though I hate the phrase it's boring, I have to admit that I am jaded after about three books of the same sort by the same writer. That's why I like standalones and one-offs. But what a rare breed they seem to be these days! -- particularly in the fiction subgenres I mentioned above.

So I'm looking for suggestions of the singular sort. I don't mind reading authors who write series but I prefer something they've produced outside the rut, or writers of many books of the same sort but who manage to produce one or two that transcend their usual fare. Perhaps a few examples would help:
A Coffin for Dimitrios (aka The Mask of Dimitrios) by Eric Ambler -- Ambler wrote many thrillers, all standalones as far as I know.

Kahawa by Donald E. Westlake -- He wrote the Dortmunder series but this was a one-off caper thriller.

Smilla's Sense of Snow (aka Miss Smilla's Feeling for Snow) by Peter Hoeg -- I actually didn't like this mystery very much but I recognize how different from most it is. If there are further Smilla books, I don't know about them and if there are, I wouldn't read them anyway.

I have read sagas that initially enthralled me, but after about three books the generations get so watered down that I don't care what happens to them. These are probably the worst of the series lot, in my opinion, but it seems a ready-built temptation for some writers to cover every generation but especially dwelling on those who lived in "interesting times." I'll give Winston Graham as an example with his Poldark series, the first two or three being engaging and the rest not so much. Graham wrote other things much more interesting, in my opinion.

Well, that's enough of my description...I would sure appreciate some recommendations!

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