I love photography...but im am seriously no expert, all my shots I feel are pure fluke with having a camera thats does the work for me I have a Kodak Easyshare Z812is. Its one of those big black chuncky ones....lol...see!!! I have no idea on what im talking about...LOL (one day im going to read the manual)LOL It was tricky to get a good shot in the begining but now they are coming better shots. Im not completely happy with alot of my shots, especially flash shots with broms. Sure it brings out the underlying neon colours in leaves but its not natural at all. I now have to set my camera to NO flash in my brom house ALL the time or I end up with the camera automaticly using flash. Just like Todd said, keep trying different things. I can get rather frustrated with my camera because I dont know how to use it that well...im still in beginners stage. Some pics come out good and some dont....as I said in the early part of this post...its all fluke I feel...LOL I have worked out that with my camera and my brom house, my broms dont like being photographed early in the morning when its sunny..LOL...they get this fake light all over them and they look horrid. It seems to wash out their colour. But If I take shots of them when its afternoon the sun is lighting differently in there. Rainy moments are always the best. I love how the water makes them glow all their colours that are deep in them and gives them that glossed over look that shows no shadows. Yep , Angles are a must to master when photographing a brom in my opinion. Gosh arnt they so photogenic. They can look glorious in different angles, yet some angles are not flattering for them at all. This is why a few shots of the same brom is good. I would say im probably in the same boat as yourself when it comes to how you experiment and your know how. Keep on shooting Cheers Germaine

Solstice, were they taken with film or digital? They are beautiful. Coffeemom, you made me laugh! I just finished my last roll of Advantix film and I swore that was the end of that camera, even though I loved it. It's time to get a digital, but I want at least 6 mp and 10x optical zoom for a good price. Does anyone know if you really need 6 or more mps in a digital camera? My first camera was a Canon AE1 program, which I still use. I bought it in 1983 and the first pick I took with it was my son taking his first step. I love that camera. I took a quick course at the local vo-tech school on photography, but I could never figure out the f stops and aperture stuff, so I always left it on auto mode and I have albums full of great pics. I got the Advantix one Christmas since I was always complaining about lugging the Canon around. It took great pics and I loved the Advantix film. You could take the pics in 4x6, 4x7 or panoramic. I still don't know if I want a digital SLR or not. I hate to spend a lot of money on something, just to find out that it's in a year or two. Julie

Clam Digger, OK, this one isn't cropped (from a P&S Sony with an amazing flare resistant lens). The point of the cropped photos was to show the level of quality available from a viewfinder camera. Sorry about the dig with the pelican photo but you asked for it when you patronized my cat. I understand that you have a long lens on an SLR and that's a capability that few viewfinder cameras possess. And if you want to shoot wildlife then an SLR is the way to go. Long lenses is the biggest reason for an SLR. People are different. The most important lens for me on a 35mm camera is a 28mm and I must have a 24mm as well. Using a lens longer than an 80mm is an occasional experience for me and I could do without it. Different cameras for different people. As for stubborn denial, I prefer to think of it as stubborn assertion. I assert this and I'm right about it: It is fair to say that the much more expensive DSLRs as a group are more capable cameras than the cheaper consumer oriented viewfinder cameras. But there are enough exceptions in both groups that the groups overlap at the edges. A novice like Jean may be very happy with a camera like Susan's 5 megapixel Lumix... And when did someone say something bad about Tokina? I said digital sensors and film have different requirements and lenses designed specifically for digital maximize the performance of the digital sensor. Tokina knows that, that's why they're making a series of lenses for DLSRs. That doesn't mean older lenses are useless, it's not a B&W world. Back to the original point of this post. Jean is shopping for a camera and buying a DSLR isn't the only or necessarily best option for her. Joe, you're a nice guy trying hard to keep the peace. You and Susan are right it's about the photos first. Clam Digger, that's a nice shot of the water bird, what is it? is it some species of tern? Joe

Posted by canarybird (My Page) on Tue, Aug 25, 09 at 18:11 Depth of Field Hi again everyone. I'm back with another entry on how to use your digital camera for taking tabletop photos. Today I want to talk about Depth of Field. Depth of field is the area of your picture, from foreground to background, that is IN FOCUS. Here, in the first picture (left) you see the two pieces of fruit clearly because they are in focus. The background is out of focus, or blurred. This is a technique used to emphasize a subject and make it stand out from the background. Here again is another example in this sports photo (right), where the player in the foreground is in sharp focus against a blurred background. (Sport photo credit at right to Allen Eyestone/The Palm Beach Post) You will also see depth of field referred to as DOF in photography texts. In these next examples, the first mug (left pic) is the only one in focus and the rest are progressively more blurred. We can say that in this photo there is a SHALLOW DEPTH OF FIELD because the area that is sharp extends only to the first mug, in the immediate foreground. In the photo above right, there is a DEEPER DEPTH OF FIELD where most of the mugs are in focus. Sometimes you will want to have the whole of your photo sharply in focus (eg. landscapes, holiday pics or full dining table), and other times, such as in some food photos, you may want to have your subject stand sharply against what is only a suggested background, misty or shadowed to give an impression of what's there without detracting from your subject. Although creating a very shallow depth of field can be done beautifully with DSLR (digital single lens reflex) cameras, due to the lenses available for them, (you change the lens according to the type of photography you want to do), it's possible to get an attractive blurred effect with a simple point and shoot, such as the left picture of the mugs above. (I think in future I will call them P & S cameras, as it sounds better and is easier to write). Just to digress and show you what I mean about the possibilities of the DSLR, here below is the same subject taken by a DSLR at left and with a P & S right. You will have seen such extreme shallow depth of field on many food blogs on the web. In this case you see both the foreground and background out of focus, while the second row of the left egg and the right ceramic chicken are relatively in focus. To the right, the P & S version shows nearly all in focus except the chicken in the rear. I deliberately used a very shallow depth of field on the DSLR to demonstrate that a middle plane can be also chosen as the in-focus area. (50 mm Canon lens at f/1.4). So how do you get your foreground sharply in focus and the background out of focus? Here is one way to do it. Let's make a test run during daylight. Find your best window light with a table or shelf underneath and get some fruit, eggs, muffins on a plate or whatever you want to use as a subject, preferrably an object with a little height. Even a couple of coffee mugs will do. Take some other larger objects which could be pots and pans, a plate of fruit, a vase of bushy greenery or even a stack of books. Set your table so the pots, books or whatever are about 20 inches (50 cms) away from your subject (fruit, muffins etc.). Here's my setup for the first photo on this page...the prickly pear and kiwi pic at top left. I sat on the low stool and rested my forearms on the edge of the table, holding the camera. See if you can somehow duplicate this setup and sit low down enough to be able to have the camera just above table level and close to the subject. Set your SCENE or MODE dial to PORTRAIT. Why do I use portrait mode so much on these examples? The reason is that portrait mode is a medium closeup setting, meant for taking photos of someone about 6 feet away in front of you, rather than of a distant landscape. Therefore the aperture (lens opening) is wider than it is for distant shots. (Explanation about aperture later.) When the camera lens is wide open, the depth of field is shallow, which will make foreground objects sharp and background objects unsharp. So that a person in a portrait will stand out more against an out of focus background. (Are you still with me ? :-)) So this is probably the best setting for closeups of food. Many digital cameras have a "cuisine" setting which also adds extra red to give warmth to the picture. Do try it out if you have that option, because it will be designed for a tabletop setting. You may or may not like it but don't ignore it before giving it several tryouts on different foods. So back to the test. You have your SCENE set to PORTRAIT. Add MACRO (the tulip icon) as well to your portrait setting. Point to the subject and add some optical zoom until the subject fills the viewfinder and you are happy with the composition. Press the shutter halfway and check that your focus light doesn't blink. If it blinks, then unzoom a little or move the camera a bit further away from the subject. Press the shutter halfway again.....does the focus light still blink? If so, move back a little again. Press the shutter halfway again and once the focus light stays steady, press the shutter the rest of the way. Now take another 10 pictures in the same manner. Go and check them on your computer. Not happy? Do it all over again :-). The key to good photos is practice, practice, and practice again. You will find that you do get better as you learn and it's a great feeling! The way to get blurred backgrounds in tabletop closeups with a P&S is to get close to your subject and have your background items at least 20 inches away as explained above. The closer you are to the subject and using MACRO, the more out of focus your background will appear. To get a nice background blur outdoors is to have a subject ...such as this dish of fruit below (photo left)....resting on a table about 10 feet in front of a tree and hanging basket. I sat in a chair next to the table where the dish was resting and using PORTRAIT, MACRO and optical zoom on the bowl, took this closeup showing a background that was nicely out of focus. You can have some good effects when you get close to and zoom in on a subject which is a good distance from a dappled shrubbery background where you see pinpoints of light (photo right). You need to experiment constantly. Bokeh You may hear this word used by photography buffs at one time or another. Bokeh is the Japanese term for "blur" and refers to the beautiful creamy out of focus backgrounds behind a sharply in focus foreground subject. I haven't found out why we use a Japanese word but it does sound a little more exotic than just saying "blur". And here again I have to say that the best bokeh comes from the SLR (single lens reflex) cameras, both film and digital, just because one can use lenses with very wide apertures, wider than are seen on a P & S. There are other difference between the two types of cameras but I won't go further here. Point and shoot cameras are designed to take faultless, sharp travel and holiday photos of beaches, landscapes and family events with the least possible intervention of the photographer. They're made to be easy to use although they do have some creative possibilities if one so desires, in both the manual and semi automatic settings. Here are a couple of pics I took with my Canon EOS 30D DSLR where you see examples of background shrubbery totally out of focus so the subject stands alone. And here are a couple taken with the P & S, outdoors with a brass vase on a table about 20 feet away from bright shrubbery . I sat at the table, about 2 feet from the vase, used PORTRAIT, MACRO, and optical zoom to bring the vase closer. I moved my position slightly to the right to get two different shrub backgrounds. Do try to see what you can get using a similar setup in daylight. Best results are when the background has a dappled sunlight with light and dark areas and it fills the screen behind your subject. Use your MACRO and optical zoom or get close to your subject, aiming so both the subject and background are within the viewfinder (or LCD screen.) I think this is enough for one day. I did want to go into some visual diagrams to better explain how depth of field is altered by the aperture or opening of the lens. A wide lens opening gives a shallow depth of field and a small lens opening gives a deeper depth of field (all is in focus from near to far). Well there's always next week isn't there. Coming up will again be more about aperture shutter speed, and the meaning of f/ stops, but I'll go softly and keep explanations simple. It may also be handy to have a quick guide on how to open and set up your tripod. It's sometimes a very frustrating experience the first times you do it. I hope you are understanding it all and if you have questions please ask here or PM me. So thanks for joining me. I'll be uploading the next installment soon. And please feel free to save the pages on your computer. Sharon (Canarybird) :-) (All text and photos copyrighted) Free for personal, non-commercial use Follow-Up Postings: o RE: Food Photo Tips: Part 8 - Depth of Field clip this post email this post what is this? see most clipped and recent clippings * Posted by publickman (My Page) on Mon, Nov 2, 09 at 2:34 I did a lot more with depth of field when I used a film camera than I did with digital, and I'm still learning how to use my new digital camera. It was much easier for me with film. Lars o RE: Food Photo Tips: Part 8 - Depth of Field clip this post email this post what is this? see most clipped and recent clippings * Posted by canarybird (My Page) on Mon, Nov 2, 09 at 4:58 Lars depth of field is a cinch to handle with a DSLR, and lenses where you can adjust the aperture ...(f/1.4 to f/22). It's not so easy using a non-reflex digital camera. o RE: Food Photo Tips: Part 8 - Depth of Field clip this post email this post what is this? see most clipped and recent clippings * Posted by publickman (My Page) on Wed, Nov 4, 09 at 2:40 Unfortunately, I don't have that range of aperture on my camera - the maximum aperture is 2.8, which is not bad, but not as good as 1.4. The ISO range will go to 1000, which I find helpful, since I photograph in ambient lighting, aka fluorescent, in my office most often. I have been lazy and set the camera to be completely automatic for most of the photos I take of my cardboard furniture models, since I have to fix them in Photoshop anyway. I often cut out the background altogether. I also Photoshop out the reflections made from the tape I use to make the models. Lars o RE: Food Photo Tips: Part 8 - Depth of Field clip this post email this post what is this? see most clipped and recent clippings * Posted by canarybird (My Page) on Fri, Nov 6, 09 at 11:27 Lars is you can get what you want with fully automatic settings then that's great and it's true you can usually make adjustments in Photoshop or other programs. I had some disappointing results the other day with my DSLR in the Botanical garden where there are extremes of dark shade and bright sunlight. I'm going back there again and will use only automatic to see what settings the same camera chooses and how the pics turn out. Then I can go back again and hopefully fine tune my settings for some better pictures. It's all trial and error sometimes in difficult lighting situations. Luckily the entrance fee is just a couple of Euros. :-) SharonCb