in any solid cheery,oak,ash,pine,ect the grain in the wood should go all the way through that pc of wood if you follow the grain of the wood you see on the top or sides it should continue to the edge and you can see it line up and continue straight threw the wood on the edge.. sorry if i didnt make that clear if you dont understand let me know and ill try and explain it better if that doesnt work ill give you my number and ill explain on the phone.. good luck

There is a whole Design Around This thread on the kitchen forum devoted to Keeping the Golden Oak. It would greatly benefit you (and a lot of others) to read it. Opposites on the color wheel make each other look more intense. Red makes green "greener" and blue makes orange "oranger". That's the big problem with orange woodwork. A lot of things make it just shout, "ORANGE". Not only is there nothing that rhymes with it, there isn't a lot that plays well with it at all. Greens can work to tone it down by using the commonality of yellow. More orange, in the red orange terracotta tones (NOT citrus orange) can make it seem less orange, but then, you end up feeling like you are inside a flowerpot. Grays can work, if it has a bit of a green cast, but most orange woodwork makes grays seem like blues next to the orange. But what happens when you DO put actual blue next to the orange is that you REALLY notice the orange in the woodwork (not in a good way) and the blue shouts a lot louder. Blues can get in your face very quickly when paired with orange wood. If you want a room that shouts ORANGE and BLUE at you every time you enter, you can use that to your advantage. You build off of the tension and energy that the contrast creates. That's not the vibe in the OP's inspiration pics. They are all calm, lower energy rooms based off of the freshness of white, with energizing bits of color in the mix. "Serene and fresh" would be the words that I would use for the inspiration album. The only way to get that exact vibe is to have the white woodwork. If that's off of the table, then you have to tone the clearness of the colors down to tone the energy level down and to use the perception of the inspiration colors rather than the actual exact inspiration colors. The orange terracotta tones of the wood set the whole palette. That becomes the orange in it. A greyed down blue will look much bluer next to that, and you use that trick of the eye to create the "blue" tones in the room. A dark cream becomes yellow, and a grayed sage will be the green. The eye will look at the whole thing together and see orange and blue, even though the actual colors used are terra cotta and gray. And that is exactly the color palette that the designer chose here. No, it's not the OP's exact color inspiration. But, it WILL give you the feel of the inspiration, whereas using the exact colors would give you a visually busy and much more high energy tone. It would be a club over the head of COLOR rather than a nice nudge of color.

Would this be it? [MS WORD] WAC 296-831-700 WAC 296-880-800 Base mounted hoists. ASME B30.7, Comments. ... WAC 296-880-810 Design and Installation Requirements for Base Mounted Drum Hoists. Your responsibility ... www.lni.wa.gov/WISHA/Rules/Cranes/Draft/BaseMountedDrumHoistsAD.doc - 2008-04-14 - Text Version

RTHawk, not sure where you're located but these are not elaborate docks by Southern standards. Many lakes w/ stable water levels have covered docks and people spend a lot of time out there. If you were to see the lakes in Georgia, Lake Norman in the Charlotte area then you will see some tricked out docks (double levels, slides, etc.). We just wanted the dock to match the lines of the house otherwise, the dock is 1 level, has 1 boatslip, a small storage room. We just tried to design it well (still needs finishing) and make it comfortable to spend time on. Here's what it's looking like now: