Houzz Tours
Houzz Tour: Treading Carefully With an 1820 Connecticut Farmhouse
A historically sensitive overhaul of a home in disrepair creates a bucolic New England retreat for an artist’s family
This Federal-style house in western Connecticut sat on the market for years with no takers. “I looked at it with other prospective buyers,” says architect Rafe Churchill, “but they just didn’t see the potential. It was pretty rough throughout, and the basement pretty much scared everyone away.” But eventually the nearly 200-year-old home found its new owners, and Churchill began the historically considerate renovation by treading softly.
A repaired porch with new railings runs the length of the house on one side. The addition on the rear of the house was existing; it contains the kitchen and a guest bedroom above.
Besides an overhaul of the plumbing, electrical and heating systems, the renovation prioritized, when possible, repairs made with traditional materials. A new roof, a partial chimney, beefed-up floor joists, and repairs to the wood clapboard siding and many of the existing windows stabilized the structure and exterior envelope. Windows that were too far gone to be refurbished were replaced with new Marvin windows. All were topped off with new triple-track storm windows.
Besides an overhaul of the plumbing, electrical and heating systems, the renovation prioritized, when possible, repairs made with traditional materials. A new roof, a partial chimney, beefed-up floor joists, and repairs to the wood clapboard siding and many of the existing windows stabilized the structure and exterior envelope. Windows that were too far gone to be refurbished were replaced with new Marvin windows. All were topped off with new triple-track storm windows.
The front portico needed only minor repairs. For the front door, the homeowner used a custom paint mixed to match Tavern Green by The Old Fashioned Milk Paint Co.
Lantern: Colonial Ashley House, Authentic Designs
Lantern: Colonial Ashley House, Authentic Designs
The staircase needed structural reinforcement as well as a fresh coat of paint. Farrow & Ball’s Green Smoke sets the balusters apart from the more conventional white trim.
Walls throughout were primarily replaced with drywall and then skim-coated for a plaster-like appearance.
The rich blue library was created from what had been the dining room. Although they could pass for original doors, new pocket doors were added for access from the front hall. Custom-milled molding matches existing trim elsewhere in the room.
Wall and trim paint: Bella Blue in satin, Benjamin Moore
Walls throughout were primarily replaced with drywall and then skim-coated for a plaster-like appearance.
The rich blue library was created from what had been the dining room. Although they could pass for original doors, new pocket doors were added for access from the front hall. Custom-milled molding matches existing trim elsewhere in the room.
Wall and trim paint: Bella Blue in satin, Benjamin Moore
Natural light highlights the details and plank width of the original wood floors, which were saved and refurbished in the library, dining room, front hall and some bedrooms.
Interior designer Heide Hendricks found the vintage orange sofa, which stands out pleasantly against the blue. Hendricks also designed the steel-frame ottoman and the drapery.
Drapery fabric: Scroll in indigo, Jim Thompson Fabrics; ottoman fabric: Forest, William Morris; wood floor lamp: vintage
Interior designer Heide Hendricks found the vintage orange sofa, which stands out pleasantly against the blue. Hendricks also designed the steel-frame ottoman and the drapery.
Drapery fabric: Scroll in indigo, Jim Thompson Fabrics; ottoman fabric: Forest, William Morris; wood floor lamp: vintage
To the right of the entry hall, the dining room takes its shape from a former parlor. While the fireplace box was existing, Churchill designed a new soapstone surround and mantel. The trim throughout is painted a rich purple-brown.
Wall sconces: The L, The Urban Electric Co.; trim paint: Mahogany, Farrow & Ball
Wall sconces: The L, The Urban Electric Co.; trim paint: Mahogany, Farrow & Ball
The bright living room features midcentury modern furniture that the homeowners previously owned. New wood floors made of southern yellow pine here and in the kitchen were stained dark to integrate with the older floors.
Wall and trim paint: Strong White, Farrow & Ball
Wall and trim paint: Strong White, Farrow & Ball
The fireplace is original to the house and shows off the homeowners’ assemblage of antique candlesticks. Two sconces depicting small hands extending from the wall provide an understated bit of humor.
Sconces: The Hand, Urban Electric Co.
Sconces: The Hand, Urban Electric Co.
The kitchen, in the rear of the house, maintained its previous location but was slightly reconfigured.
A large pantry and staircase previously cut off the kitchen from the rest of the house. Churchill removed it to maximize cabinet and counter space and to provide better flow with the living room. Raising the kitchen’s extremely low ceiling also helped open up the space.
A large pantry and staircase previously cut off the kitchen from the rest of the house. Churchill removed it to maximize cabinet and counter space and to provide better flow with the living room. Raising the kitchen’s extremely low ceiling also helped open up the space.
A traditional farmhouse sink overlooks the side yard. Custom-made cabinets have decorative brackets to better integrate the upper and lower units. The brackets, Churchill says, also “provide a nice reference to period kitchens and furniture.”
Cabinet and trim paint: Purbeck Stone, Farrow & Ball; nickel cabinet hardware: Restoration Hardware; 36-inch sink: Rohl; nickel bridge faucet: Easton, Waterworks; countertop: honed Carrara marble
Cabinet and trim paint: Purbeck Stone, Farrow & Ball; nickel cabinet hardware: Restoration Hardware; 36-inch sink: Rohl; nickel bridge faucet: Easton, Waterworks; countertop: honed Carrara marble
Modern touches are sprinkled throughout the historic home. Churchill says he selected the LED chandelier over the kitchen table because “we like a mix of contemporary and traditional, and liked how we can see through it to the view.”
Chandelier: Bertjan Pot’s Heracleum II, Moooi; paint: Mole’s Breath (island) and Strong White (walls), Farrow & Ball
Chandelier: Bertjan Pot’s Heracleum II, Moooi; paint: Mole’s Breath (island) and Strong White (walls), Farrow & Ball
The dining table is a custom piece by furniture designer Seth Churchill, the architect’s brother. The trio of windows overlooks the backyard.
Upstairs in the main part of the house, the original wood flooring continues in the hallway and bedrooms. Walls and trim are painted the same white as the living room.
Artwork triptych: Purdy Eaton
Artwork triptych: Purdy Eaton
Churchill says all the doors had to be refitted and their hardware repaired so that they would function properly. Most of the components, including the trim, were existing, but the architect had to add some to match what was already there.
Shown here is a view from the master bedroom across the hall to another bedroom. The master bedroom also accesses the porch rooftop.
Shown here is a view from the master bedroom across the hall to another bedroom. The master bedroom also accesses the porch rooftop.
In the kids’ bathroom, the console sink provides an airy appearance, with towel bars on the sides. The red stripe in the penny tile flooring aligns with the sink and toilet on the other side. Churchill designed the medicine cabinet.
Look closely at the wallpaper pattern. Far from your typical graceful toile, its undulating floral design features carnivorous plants and bats.
Sink: Alden, Waterworks; penny floor tile: Complete Tile; subway wall tile: American Olean; wallpaper: Elysian Fields, Dan Funderburgh for Flavor Paper; sconce: Radar, Schoolhouse Electric & Supply Co.
Look closely at the wallpaper pattern. Far from your typical graceful toile, its undulating floral design features carnivorous plants and bats.
Sink: Alden, Waterworks; penny floor tile: Complete Tile; subway wall tile: American Olean; wallpaper: Elysian Fields, Dan Funderburgh for Flavor Paper; sconce: Radar, Schoolhouse Electric & Supply Co.
This guest bedroom is in the addition at the rear of the house, above the kitchen. And like the kitchen, it has a low ceiling compared with the rooms in the main part of the house. The structural wood beam, shown on the left, is original.
The guest room furnishings already belonged to the homeowners. However, Hendricks, who helped select some of the furnishings elsewhere and design the window treatments, resized these drapery panels from the homeowner’s former residence.
Drapery fabric: Peach 2, Muriel Brandolini for Holland & Sherry
The guest room furnishings already belonged to the homeowners. However, Hendricks, who helped select some of the furnishings elsewhere and design the window treatments, resized these drapery panels from the homeowner’s former residence.
Drapery fabric: Peach 2, Muriel Brandolini for Holland & Sherry
Wood planks in the guest bedroom were used to repair the wood plank flooring in the master bedroom, so the new pine flooring installed here was painted. “We love a painted floor in an old house,” Churchill says. “Especially on the second floor.”
Here’s the left facade of the house. The portico entrance leads to the mudroom. Churchill based the design of this new element on the home’s existing details — “not copied, but influenced,” he says.
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Houzz at a Glance
Location: Sharon, Connecticut
Size: 3,800 square feet (353 square meters) on 50 acres; four bedrooms, three full bathrooms and two half-baths
Designer: Rafe Churchill (architecture)
When Churchill and the homeowners met early on to discuss the project, they initially considered building a significant addition. But ultimately they scrapped that idea and stuck with the original footprint.
With about half of the structure needing to be gutted, Churchill says his approach was to maintain the home’s architectural integrity. The front facade probably looks much as it did in 1820, when the house was built.
After this photo was taken, the homeowner painted the front door bright green (see second photo below).
Exterior paint: Capitol White, Benjamin Moore