Treasure is right that chosing artwork is very personal and hard to do for someone else unless you know them well. Personally I love holly-kay's idea of using something other than a framed piece of traditional art like china or a pretty tray. Maybe a shelf with some silver candlesicks or cut glass jars filled with pretty soaps? Maybe you even have some lovely or meaningful items you could use already. For framed artwork The New York Public Library Digital Library has a huge collection of artwork you can browse through to use as inspiration or even download and print low resolution images (see link below for tips from the Creativity Exchange on using the images) And just because you pick something now, doesn't mean you can't change it out later if you tire of your first choice or find something you love more. You could even purposely chose two options and display one with brighter colors for spring and summer and the another for fall and winter. I know the thought of choosing two when you can't chose one seems daunting, but I have found the freedom from having to find "the one" lets me focus on what makes me happy. Happy hunting!! Here is a link that might be useful: Creativity Exchange: NYPL Digital Library

Hi Blessedbe. I used to live in an incredible Streamlined Deco apartment building built in 1940, with terrazzo floors, glass block walls & steel casement windows with metal Venetian blinds 12 feet wide--the widest made--and although it's been 25 years since I lived there, I still love that sleek look. OK, so you don't mention whether your whole place is, like mine was, actually of the period, or if it's newer construction, and you also don't say whether you're going for an authentic period look--as though your bath might have been decorated during the era & somehow survived intact till now, or whether you're making a room that's about the era & the style. They're two totally different things. Either way, forget Maxfield Parrish & Alphonse Mucha. Both were wonderful artists, but they're both way earlier, and their lush colors & lavishly ornamental style have nothing to do with the slick, high-contrast style typical of late Art Deco that you're after. In fact, when Bette Davis' elegant movie characters were swooning about in sleek penthouses & nightclubs, both Mucha's & Parrish's artwork would have been considered hopelessly old-fashioned, and all that adding them into the mix would do is muddy the concept. Paris & San Francisco, on the other hand, were both sophisticated & up-to-date, with plenty of shops & theatres & apartments & hotels executed in just the glamourous style you're after. In fact, Paris' exhibition in 1937 & San Francsco's in 1939 represent the pinnacle of the style's development just before the dark days of WWII put a sudden end to the party. But watch out if you're thinking about using photos: there are a lot of classic photos of both cities that, like the Mucha & Parrish posters, would only confuse your decor. The Eiffel Tower is too old by half a century to say anything about the Art Deco era, and while the Golden Gate bridge is an icon of 1930s design, neither image would have been used to decorate a bathroom of the period. Nor would a picture of Bette Davis, talented though she was. No, those things--movie star portraits, photos of landmarks of the period, vintage magazine ads for, say, Evening in Paris perfume or Packard automobiles, covers from Fortune magazine or Vogue, colorful fruit crate labels, vintage travel posters featuring the Pan-American Clipper or the 2oth Century Limited--while perfect for a room that's ABOUT the period/style, are all wrong for a bathroom that's meant to look as though it's FROM the same period. OK, maybe a struggling actress or a shopgirl living on the cheap in an efficiency apartment might hang a picture of Bette Davis in her tiny bathroom, but only becasue she could tear it out of a magazine for free and hang it in a ten-cnt frame from Woolworth's. But a wall full of ads & commerical art wasn't likely to appeal to most people, even if they wanted to hang artwork in their baths, which generally, they didn't. For the upper classes--the target audience, after all, for the styles that we call (thanks to Kelly Werstler & Bevis Hiller) Hollywood Regency & Art Deco--the whole point of 1930s baths was Glamour Without Fussiness. That's why they went for rich or striking new materials on the walls--marble, Vitrolite, colored or engraved mirror--and often, strong color in the fixtures: by making beauty inherent in the materials themselves, they could eliminate superfluous ornamental touches. You wouldn't have found pretty crocheted doilies or dainty flower arrangements or frilly curtains in any high-style bathroom of the period. As Belle Watling said in 1939, "It wouldn't be fittin'." So, if you want a true period look but you still want a bit of decoration, you might try adding a stenciled (or taped) border (a zigzag, or a Greek key, or a very-authentic angel-fish-&-bubbles motif in black & one other color--there are lots of possibilities) just above the tiles or just below the ceiling. Stenciled & painted designs are an authentic look, because a border is actually part of the room rather than something in the room. And, on the other hand, if you're doing a room that's not intended in any way to be authentic but one that's, rahter, ABOUT the period, you have a lot more possiblities beyond the obvious cliches. If it's photos you want, look at the striking black-&-white images that Hedrich-Blesing took for the 1933 World's Fair here in Chicago. Their lustrous shot of the Chrysler building at night has gotta be the most drop-dead glamorous photo of the whole century. I think you can buy a reproduction from the Library of Congress. Or check out Ewdard Weston's work, if you don't know it. Once you've seen his voluptuous, suggestive photgraphs of produce, you'll never look at a green pepper the same way again. For Art Deco drawings, look up Hugh Ferris' work. His renderings of Hoover Dam are awesome. For posters, look at the work of A.M. Cassandre, or Joseph Binder, whose graphic work between the wars is some of the most powerful ever. And since this approach is not really authentic for the period, anyway, there's one more image that would fit in just fine with the style & also with the black-&-white scheme you've already got going on: Richard Estes' iconic painting "Drugs" from the Art Institute of Chicago. It's a 196Os piece, but the subject is a classsic late-1930s facade in curved black Vitrolite & bent glass, and I bet the AIC has it in reproduction. I hope this suggests the two different approaches you can take as you finish your room. Be sure to post some pics when you get your room the way you want. Regards, Magnaverde.

I went looking for images of those elements. Ribbed glass panels in cabinet doors is easy enough. Here's one in a bathroom vanity: Ribbed glass (or ''seeded'' glass) is also often found in period light fixtures: As for marquetry countertops, if you asked most kitchen cabinet makers for such, I imagine they would gape blankly at the gabbling woman. But there are plenty of companies doing stock and custom hardwood marquetry inlays using CNC laser cutters. Here's the thing - they are doing it in floors. Google ''hardwood floor inlay'' and see. Yes, many of the rosettes are infeasible for a 26'' counter, but look for the ''border'' designs - or create your own. Assemble a 26'' wide section of inlaid ''floor'' on a 3/4'' plywood substrate, encase it in Waterlox, and I do believe you'd have yourself a marquetry countertop. Another option - perhaps cheaper - is stenciling on hardwood, of which this is an example. And so is this What else? Beveled glass is readily available, as is chrome countertop edging, and any furniture or auto upholstery shop can cover a panel of 1/8'' plywood in soft butterscotch leather framed in silver studs (maybe not actual silver, but close enough). I don't know exactly what version of Art Deco you are headed for, or if you even like butterscotch, but the point is, you are not doing yet another white kitchen, you're doing something that isn't being done by the mainstream, so the ordinary kitchen sources are not making this stuff. Sure, there is cool Art Deco hardware around, but what passes for ''Art Deco'' kitchen cabinetry in the online catalogs is . . . disappointing. You are going to have to make it, or at least source it, yourself - and I think if you're comfortable outside the painted lines, you can. You'll find yourself hiring a floor guy to work on a countertop, hunting down the local hot rod upholstery shops, telling your cabinet maker to fit bathroom vanity faces to kitchen cabinet boxes - they'll still look at you like you're crazy, but you'll know you're not. Go for it, girl!

This OP has posted several dilemmas lately. I started reading this one from the onset and yes, there are several of the more critical posts missing. She clearly was happy about the selections and appeared to want validation from the people that had helped her with her other dilemmas. One of the first comments on my first dilemma on here was devastating to me and left me very upset. Fortunately, I have a thick skin and just flagged it and then along came some wonderful people to help me. Sometimes certain contributors just go too far. I’ve seen many OPs run off from this forum, but this is the first I’ve seen someone completely delete their account. THINK before you comment people! You could make or break someone’s day with your words