Georgian (1714 to 1837) Georgian style embraces a century under the reign of three Georges and is often divided into the Palladian, early and late Georgian periods. The style was partly a reaction to baroque which George I loathed. In this article Style Influences The names At the time Get the look What to invest in Where to see it Further reading The three phases of Georgian are a continuum of each other. As the century progressed, the style became lighter and lighter in terms of colours and decoration and eventually became regency style. Taking an interest in fashion and interiors was very much the order of the day; entertaining was becoming more popular and print books containing designs and architectural models were becoming available to the public for the first time. Style harmony and symmetry airiness, space and light pale colour schemes and woodwork delicate furniture Influences Palladian style - especially Inigo Jones' s architecture the Grand Tour - it was highly fashionable for the upper classes to take a tour round Europe, particularly Italy, for two or three years the Orient The names Robert Adam - architect and designer, influenced by the way the Italians decorated their buildings George Hepplewhite - furniture maker in the late Georgian period Thomas Chippendale - cabinet maker renowned during the middle Georgian period At the time 1714 George I on the throne 1748 Pompeii discovered 1813 Pride and Prejudice written by Jane Austen 1837 Queen Victoria crowned Get the look Early Georgian colour schemes include burgundy, sage green and blue grey but, as the style developed, they became lighter and included pea green, sky or Wedgwood blue, soft grey, dusky pink and a flat white or stone. Many of today's leading paint manufacturers now produce historic colours helpfully labelled according to the period. Floors can be bare floorboards covered with Oriental rugs. Grander houses had stone or marble floors in pale colours, perhaps a keystone pattern. You could cheat with a lino in the same pattern. Print rooms were popular and this look is easy to recreate: paste walls from floor to ceiling with old prints and engravings or photocopies made to look old and add a coat of varnish for longevity. Walls were still panelled but the panelling only reached dado height and the plaster above was either painted or papered. If your hall has panelling, paint the cornice the same shade as the walls but, if you have painted walls, paint the cornice to blend in with the ceiling. Look for simple repeat patterns in wallpaper such as trefoils. Some of the original designs are still being produced today. Wallpaper was imported from the Far East so anything with a chinosierie feel to it would be in keeping. Towards the end of the Georgian style, simple block papers began to be introduced and experimented with; designs were fairly rudimentary so look for geometric patterns with squares and stripes, perhaps with darker shading behind. Consider handblocking wallpaper yourself with a stamp. Mouldings are intricate - ceilings might have ribbons and swags, classical figures and urns. There are companies who specialise in making reproduction ones as well as firms who will restore and repair original features. For soft furnishings, look for glazed cotton fabrics with small sprigs of flowers. The same fabric would have been used for both the upholstery and curtains. Armchairs and divans often had loose covers made from cheap ticking or striped linen, which were removed for special occasions. Curtains often had pagoda style pelmets on top. The arrival of paraffin was a major breakthrough for Georgian lighting. Look for chandeliers made from glass, metal and wood with curved arms like an octopus for a centrepiece. Elsewhere, use wall lights in brass, silver, or silvered wood or a simple candle flame bulb. Fittings in pewter or tin were used in less grand homes. Furniture should be delicate - wing chairs and chairs with hoop or shield backs are typical. Fireplaces would have been the focal point of a room. They should be elegant with basket grates, cast iron backs and decorated fronts featuring swags, urns, and medallions, perhaps flanked with classical pillars. Add a firescreen painted to match the room or featuring a trompe l'oeil. Decorative objects can include screens, fans, porcelain and lacquerwork from the Orient and bronze ornaments. Hang pictures in formal groupings, flanking the fireplace. If your front door is Georgian it's likely to have a filigree fanlight with a canopy and pediments. Original Georgian properties had sash windows and shutters. What to invest in furniture by Chippendale or Hepplewhite Where to see it Bath - particularly The Royal Crescent The Geffrye Museum, London E2 - has rooms showing the development of Georgian style Sir John Soane's Museum, London WC2 Syon House, Brentford, Middlesex - the Long Gallery designed by Robert Adam 28 Charlotte Square, Edinburgh - a whole square built by Robert Adam and purchased by The National Trust for Scotland. Tel: 0131 243 9300 The Georgian House, 7 Charlotte Square, Edinburgh. Tel: 0131 226 3318 Further reading Georgian House Style by Ingrid Cranfield (David & Charles) The Georgian House Book by Steven Parissien (Aurum Press) The English Archive of Design and Decoration by Stafford Cliff (Thames & Hudson) The above article may be of interest to some. Above article taken from the BBC Web site (British Broadcasting Corporation) UK. Do you have a Georgian themed fireplace Threeapples? is so any possibility of posting a picture?

IMHO, this does not look good at all. I would not except this solution. It looks like you just slapped up a piece of molding. It needs to be integrated more with the existing chair rail and base molding. If you move it over to start under the chair rail, it would be too close to the boxed out trim. If you want it to look like it is meant to be this way, he really needs to move the trim under the chair rail and shorten the width of the box so the spacing is the same as the distance between other boxes. Also, the trim piece should not stand proud of the base piece. You need someone that knows how to rework this to look professional.

OK, you all have convinced me to eliminate the oak look of the risers. While I'm too conservative to paint them, I'm thrilled with the many options for stick on riser decals that can be readily removed, including one with the pattern I've been nuts about for ages! It's called Astra, here. BUT -- back to the newel post/handrail for the upper section of this stairway.....previous comments were that we don't have the open wall for the spindles and we have no place for a newel post. I need to understand if the change I want to make isn't feasible, when it seems to me like it should be...please helps!

I understand that OP needs it to be cheap until closing because this is a lender requirement (not unusual) and if it is fixed before closing, it becomes a fixture and stays with the property even if the buyer doesn't close. CONSIDER: A solution to this would be a rehab type loan rather than the typical purchase loan. Benefit to the buyer is they don't need to resort to expensive hard money type loan as mentioned up thread. Also it gives the buyer the TIME to figure out a permanent solution. The buyer can close right away on a rehab loan. The disadvantage to a rehab loan is that the interest rate is slightly higher than your typical purchase mortgage. Something to explore.