Can someone explain about lightening a paint color by percentages
sis2two
8 years ago
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yayagal
8 years agolazy_gardens
8 years agoRelated Discussions
Could someone explain how paint works-want to get a lighter color
Comments (5)Two things here. "How paint works": paint comes in usually four different bases for the different colors. Pastel base has a lot of white pigment and very little room in the can for adding colorant. Medium base has less white pigment and more room. Then there deep base and ultra base, which is nearly transparent and has a lot of room to add colorant. If you want a dark color, you have to start with a transparent base, not a lot of white. That is why ultra dark colors can take more coats and take longer to dry. Most colorants don't dry well and are not as strong as paint. (BM's new Aura is a different animal and covers extremely well in dark colors and dries fast.)Dark colors can take 2 to 4 weeks to "cure" before they stop rubbing off. Now how your 50% equation fits into this. Back in the days when all houses were painted in pastels, a common method of picking a ceiling color was to add only 50% of the color formula to the pastel paint base at the time it was ordered at the paint store. You would have a light color on the wall and a 1/2 strength, lighter color on the ceiling. Today's colors are deeper, and if you ask a paint clerk to mix 50% of a medium base color, she or he then has to decide whether to go with the medium base or move to a pastel base. Either decision changes the equation and you will not get the color you pictured in your mind. I sell paint, and I can tell you I have mixed many 50% formulas that simply do not work, and no one is happy, because the color was too deep to use this old idea with. I prefer to walk over to the color chips and find a lighter color by eye that will work great as a ceiling color with the wall color the customer has chosen. I have many years of experience in working with color, as well as a BA in Art from Cal Berkeley. You might be surprised to learn how many blue collar wage slaves are actually very well educated. If you can visit a few paint stores and talk to the staff before choosing paint for your next project, you may find a "free" color consultant in the process. Just be sure to buy your paint there....See MoreCan someone please explain to me.....?
Comments (23)>For me however, given the choice in cabinetry, I'd go solid, so now I will tell you why. I like the feel of the heavier doors. A solid panel is also easier to repair if it gets damaged. I've seen some veneer panels completely blow out when hit hard enough. Plywood and veneer aren't the same thing, and both come in many thicknesses. I have no idea what you mean by "blow out", but properly glued veneer (or properly made plywood) will never delaminate. OTOH, only a fool would make guarantees about solid wood and warping and splitting on larger panels. Many companies, for that reason, will either not make the large doors without extra stiles or will not guarantee them. If you have a raised panel fridge door with just two panels, for instance, all the luck to you, but there's a reason that raised panel passageway doors are made with SMALL panels. >I've had several clients complain about the rattly sound when closing a door with a thin center panel (especially if the doors are large...tall 42" uppers and pantry doors are the worst). You don't think about that until you're using it everyday. You mean that the whole DOOR vibrates? Or that the panel vibrates in the door? With the second, it's more likely that solid panels will develop that problem over time, since they move more with the seasons. You can reverse-cove-shape a plywood panel, too, though the results wouldn't be as pretty on the backside, but I'd take that before having a *big* solid wood center panel. The LAST place you want big panels is with solid wood. (Unless, of course, you can magically keep the moisture and temperature exactly steady year-round--like you'd have to to keep paint from splitting where stiles join, as Woodmode mentioned.) It will warp very rapidly. You're courting disaster if you insist on it. If you have to have solid wood on big doors--if, for instance, you have the actual panel with a cove facing out--then you should keep the size of each panel to a reasonable dimension considering the dimensional stability of your chosen wood. That means raising the number of panels per door. >And finally, veneers can STAIN differently and AGE differently than solid wood. I've seen kitchens where the center veneer panel is slightly lighter in color that the solid wood frames. Now you're making no sense. A horizontal stile will look a different color from a vertical stile because of the direction of the wood grain. This is true with the vast majority of stain colors. Natural variation in the wood mean that panels and stiles will also look slightly different colors to a very careful eye. The BEST way to get panels to look the same, if you're not doing an almost opaque stain, is with veneers. (True veneers, not plywood.) The BEST way is to book match or slip match veneers. Without that, the best you can do is to do a "pleasing match" of solid woods--that is, select them to make sure they are all the same color. If some moron didn't do so, blaming the veneering process (or the fact that they used plywood) shows an astonishing lack of comprehension of what veneer/plywood is. If you like solid wood panels because you think they're more authentic, sure, whatever, I'll give it to you. If you like the idea of being able to put an enormous gouge in a piece of furniture and the color underneath being able to be stained to the same color, I'll agree but I'll think you're crazy since any sensible person would fill it, sand it, stain it, and make it disappear. But if you're pretending that, in performance, solid wood is superior for a flat panel application or if you're pretending that the most exquisite furniture made today isn't enormously dominated by rare and beautiful veneers...you're selling your clients a load of nonsense. The very best casework is made with a mixture of plywood, veneers, inlays, and solid wood--typically, in that order. The pieces that are worth more than my car ever was rarely have more than trace amounts of solid wood. Pretending that solid wood=high quality is dangerously deceptive. The stile-and-panel style door was originally developed because slabs of solid wood warp so dramatically. (Yes, solid-wood panels work--as long as you keep the doors within reasonable sizes ***for the material.*** Many people don't want that, though....) Historically...yes, Shakers wanted simpler designs. They couldn't change the existence of stiles-plus-panels because plywood technology didn't exist yet. The cove actually has a function in solid-panel doors, so they kept it and reversed it to make it seem less decorative. If Shaker villages were thriving today, they'd probably all have slab-style doors! :-) (Which aren't just slabs of playwood, BTW, but are built up--with plywood and solid wood, both--and usually have...yes, veneers, if they are any size at all. Those amazing zebrawood modernist design? All veneers!)...See MoreCan you explain paint question?
Comments (5)Can you actually go in and ask the store what the LRV to a paint color is? Probably not. Over the course of about ten years, I have never once encountered anyone in a paint store or the paint industry overall who could cogently speak to LRV. Not. once. Don't bother asking at the paint store. They are paint experts. Not color experts. The Encycolorpedia site has issues with their source of original data. If you want to color by the numbers, then the data you start with must be correct and conversion methods must be consistent. I don't see that being the case with this website. All major paint brands list LRV in the fandeck index. If a brand doesn't list LRV in their color tools like a fandeck, they usually have it listed online. (Not very professional, but I'm sure they're doing the best they can.) LRV tells you the percent of light a color reflects. It's that simple. It doesn't matter how much light or how little light. The percent reflected is the percent reflected. For example, if a color's LRV is 40%, that means it reflects 40% of the light that hits it and it keeps, or absorbs, the remaining 60%. Bright room, dim room, north room, south room, doesn't matter - the color will reflect 40% of the inherent light and keep 60%. I continued the color into the living room and it seems totally washed out. Would this be because of the ratio? No. Has nothing to do with LRV contrast ratio. The part of color that describes what happened is nuance. Nuance is light reflectance value PLUS saturation. In other words, you have to consider two parts of color at the same time: light/dark which is LRV and saturation which is about how vivid or dull the color is. Simply put, the color Toast has the perfect pitch of nuance to do what you want it to in the family room, but its nuance isn't robust enough for the stronger quality of light in the living room. HEX values are about RGB in the additive color space which emits light to your eyeballs. Think digital color like your computer monitor, iPhone screen, Kindle, etc. Completely different from, and not to be confused with, the subtractive color space that reflects color to your eyeballs. Think paint colors, printer's inks, flooring, counter tops, everything in the real world reflects color. Here is a link that might be useful: LRV explained...See MoreEggshell, flat or semi-gloss paint? Can someone advise?
Comments (23)Yes. Aura matte is one of my favorites. Paint is like fabric. Different finishes have a different "hand". And I like Aura matte. I like the way it looks and feels - high end. I think it's pretty. I've specified a lot of it, painted many of my own rooms with it, touched up many dings and scuffs. (I have two boys and two dogs). BTW, touch ups are best done with a slightly damped sponge brush and apply Aura in very thin coats until you get the coverage you want. Take your time, don't rush. Never been disappointed or regretted spending an extra 5 cents per square foot. If you do the math, it literally comes out pennies per square foot difference. I never compare paint price per gallon. Always price per square foot. Aura matte averages about 375 square feet per gallon. Regal matte averages about 425 square feet per gallon. Divide your price per gallon by square feet to figure out approx. price per square. Taking a look at the numbers might help you decide if it's worth it or not....See Moretheclose
8 years agolazy_gardens
8 years agoLori A. Sawaya
8 years agosis2two
8 years agoCEFreeman
8 years agoLori A. Sawaya
8 years agolazy_gardens
8 years agoLori A. Sawaya
8 years agoCEFreeman
8 years agoLori A. Sawaya
8 years agoCEFreeman
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8 years agoLori A. Sawaya
8 years agoLori A. Sawaya
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8 years agoBunny
8 years agowilliamsem
8 years agoLori A. Sawaya
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8 years agoJessica V
5 years agosis2two
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5 years agolast modified: 5 years agoBunny
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