ButterflyBush Thank you for your nice comments--especially about the wrinkles. I figure if I have to have wrinkles, my planter will have them too! paws4pets Thank yor for the hint about using cardboard boxes, it seems as though it would save me loads of time. I'll try it. DianaT I decided I liked the frog feet and chose not to remove them. I adhered the face to the planter using a mortar mix which sets up in 15 minutes. Below I've included a link to the mortar product I used to set the face.  Here is a link that might be useful: Link to the product I used to set Buddha face

First of all, I appreciate all of the sweet comments regarding my husbands work. This has been SUCH a labor of love. We have been in this house for 2 years with disgusting, original 70s cabinets and NO DOORS. I did not even store anything in the cabs, because they were so gross. I fashioned some pitiful "curtains" (basically panels of material velcroed to the openings) to cover the nasty looking innards of the cabs. We priced cabinets and got depressed. Some basic, china made cabs at Panda would have been minimum 12k. My husband has a woodworking shop in the upstairs area of his warehouse/office. He is great at making simple furniture and things. At first, he was going to make the boxes and we would buy the doors. Well, even THAT was expensive. I don't care for fine jewelry, we do not take exotic trips, I am not a "shopper" and I am not into fashion. However, I have always wanted and deserved a dream kitchen. My husband wanted to make sure it happened. We absolutely LOVE our house and plan to be here a long long time. We own a small business and he works 6 days a week. He started planning, measuring etc probably a year ago. We kept tweaking, and he started cutting and making cabinets, a little at a time. I saw nothing of this work, he would come home and tell me he was excited for the kitchen but to me it still didn't seem real. There are a few "flaws" that might not be fixable, but because they are small and also because they are from my husband's hands, I do not mind them at all. I can't wait to show you the interior of the cabs, and all the bells and whistles in this kitchen. That will have to wait, though! The pictures are dark because my kitchen is dark. I hate not having a window. We may add one of those "solatube" things eventually...I found out about them on the home decor forum here on GW. Hubby is adding some hi hats in the kitchen, plus we will have a light fixure over the peninsula (which is barely visible in the picture...it is jutting out at the bottom right.) We are getting a island hood vent (which I will start another thread about eventually, I am overwhelmed) and I am bummed because it is going to cause some of that "openess" to disappear, but I *need* an island hood vent! We are going to cover the gaps below and above the dbl wall oven. We are putting a curtain under the SS farmhouse sink, to hide all those cleaning products you see. Haven't decided the color or look just yet. Yes, that is a wood trim where the countertops meet the wall. My husband is going to stain it the same color as the countertops. You see...the counters...they are PLYWOOD! yes, PLYWOOD! We are eventually doing butcher block on the perimeter, and something different on the island (haven't decided yet) but the plywood looks so darn good, I told him let's just keep it until it falls apart! He rounded the corners and put a band on the edges, also. So, the wood trim you see, the backsplash will stop there for now and when the permanent countertops come in, he will finish the backsplash. We had discussed some sort of trim on the lower part of the cabs, but he got some undermount lights to put under the cabs that will not show at all, so we decided to skip it. Now I am wondering if maybe we should go ahead and do it. I am glad to see everyone was in agreement about needing something at the top of the cabs! I want to add that the ceiling is REALLY uneven so that is why you see such variations in the cab heights. I am worried that is going to make doing a trim even more difficult. My hubby curses the builder of this home every time he tries to do something to the house. He is sure he was an alcoholic, and says if he ran into him on the street he would punch him! lol. Walls are uneven, floors uneven, ceiling uneven, pitiful rigging of electricity, plumbing...you name it! As far as the help in posting pics...THANK YOU for taking the time to type that out and/or provide helpful links. I know how time consuming it is to explain these things (heck, I have already been typing this post WAYYYY too long, lol) so I appreciate the help. I think the problem is in the resizing, not the posting. Maybe it is indeed the picture quality as a few of you have suggested. When I see the pic in photobucket, it looks crisp and in focus, but when I try to resize it, it gets blurry. I will keep trying! Oh, and I do use a digital camera, a canon elph 7.1 megapixels purchased several years ago so I will see if that is the problem. thank you buehl, biochem, suzanne and htracey for the picture help! hollysprings-I will mention those terms and your suggestion to my hubby. Yes, def agree that undercab lighting is a must! still need our glass insert in the door of the corner cab...and shelves, also. Have 2 other cabs that have interior lights across from the island, not visable in this pic. But all cabs will have under cab lighting, for sure! And they will be on dimmer switches! kitchenkelly-thanks for the picture. Of course I need something smaller, but that look is very pretty! suzannel-my husband said if he knew how much work these cabs were going to be, he would have never been able to psyche himself up for the job! He also said he does not want to brag, but he even impressed himself! LOL! lascatx-I remember seeing that kitchen! Love it. I am not crazy about those tiles, but def considered something more "spanishy". BTW, my grandfather was born in Spain, and my husband is of Cuban descent so we do feel like we want to play up the spanish flair in our home. htracey-I *love* molding in general, but in this house, I wanted to stay away from it. Mainly because I grew up in a florida ranch home in the 1970s...and so did all of my friends, and I NEVER saw decorative molding EVER. I am trying to stay somewhat "true" to the era this house was built in. It's one of the reasons I don't want granite counters. I know might sound like a joke to some, not like this is a historic home from the 1800s or anything, lol. However, I have a "thing" for the 1970s...I just can't explain it! Of course, no one I knew had a double oven, or SS appliances for that matter. The other thing about crown molding is the ceilings are SOOOOO uneven it would be a nightmare for DH to install. So, in general I am NOT a molding fan (again, FOR THIS HOUSE) but I do see now that everyone agrees I need molding in this situation! Thank you again for your help. lynn, singingmicki, cmm and green-thank you for your input! And yes, I am definitely thinking something shimmery for the backplash. I don't think I want subway tiles, tho. Or glass. Maybe something mother of pearlish? Ok, I really like this...saw it at Home Depot and loved the sample, but after doing research, I am scared the product that gets shipped to me will not look like the sample. I know this is a marble and not sure how "70s" marble is...but I think it LOOKS very 70s. The 6x6 tile at HD was tubled and had a rough texture, which I really liked. here is *kind of* the antique mirror look that I like. Let's see if those S.O.B.s post, dang it! Ok, thanks again, everyone. I have neglected my family for far too long this afternoon, but I am so grateful for all the help, I need it!

Image by: Dena This is one of our most popular questions. The paragraphs are responses by Garden Web members. The names and Web sites were removed but the basic information remains intact. Thanks to everyone who contributed! ==================================== I remember seeing on a show, Martha or someone else, on location, a way to use large leaves as molds for garden sculpture. If anyone is familiar with the show will you please share the instructions with me. Thanks ==================================== Member Responses: The Martha show was July 7, 1999. She did two shows with guests, David Little and George Lewis, from Bainbridge Island Washington. I have since visited the garden and also experimented with making several different types of leaves. The easiest leaves to learn on are hosta leaves. I have also made large Rhubarb, Rodergsia, and Gunnera. This fall I plan to tackle at least one Gunnera Leaf that is over 3Ft in width/diameter. (If you do not know what a Gunnera is look it up an d check out a site with pics. some of their leaves reach well over five feet in width. Concrete Recipe fine sand (#1 play sand works well) cement (portland ( unfortunately it comes in very large bags)) bonding agent (sold at hardware stores along side the cement products, also called fortifier) plastic wrap water (a large cup works well) cement/concrete colorant (optional) Hosta leaves or other deep veined leaves (start with a little larger than hand size, dream about the next one you'll make that is bigger) mixing container (a flat dishpan/ or wide bucket works well) 1 1-2" cheap paintbrush 16 gauge wire latex or acrylic paints (vibrant colors look good in the garden) a couple old towels/rags Directions: On a flat surface place a mound of damp sand, take your leaf and press the top side of the leaf over the sand, gently remove the leaf, and cover the mound with saran wrap, then re place the leaf on top of the saran wrap. The wrap must extend out from the edges of the leaf, as this keeps the concrete from coming into contact with the sand. Now take 3 parts of fine sand, 1 part of portland cement, if using dry cement colorant add it here, (if using liquid color add to the first bit of water you put in). Add the fortifier to the first amount of water that you add. Remember to add water a small amount at a time. Continue to add water until the mix is the consistency of toothpaste. Take a little of the mix and place it on the top of the leaf, then begin working the blob of mix toward the edge of the leaf, but not quite to the edge. Put it over all the leave. Thickness 1/4-3/8". If you want the leaf to hang on a fence or railing of some sort, place a small piece of 16 gauge wire (I use coat hanger) that is cut about two inches, then twisted so it makes a circle with tails. place this in the back of the leave a little distance a way from where the stem would be, wiggle it into the damp concrete and place a little more on the top of the twist so just the circle shows. With the paintbrush dip it into water and shake it so it?s not real wet, now brush from the edge of the leaf to the center gently. This part is optional but finishes the back of the leaf nicely. Cover the leaf with a little plastic loosely or a damp cloth if a warm day. Dependent on the size of the leaf you have made it only takes a day to dry. First timers PATIENCE IS CRUCIAL! To un-mold, gently lift up the concrete leaf and all. Turn it over in your hand and gently peel back the hosta. Concrete Leaf Sculpture can be painted with either latex house paint diluted 1.1 with water. Brush on one color and quickly wipe it off with the old cloth, add another color if you'd like. On the back of the leaf use a full strength solution of the paint. The leaves fully cure in about thirty days. You can seal with a sealer that is for concrete, check with your local hardware store. GOOD LUCK. I have held a couple of classes, successfully. One of the other crucial things is the weather, TOO HOT and the concrete will crack, a cool day is best. LET ME KNOW HOW YOU DO, or what your questions are! - I want to make sure that those of you who try this project are successful. I recommend any leaf over two hand widths have some sort of reinforcement such as chicken wire or I use a fiber glass wall tape for those two hand widths to five hand widths, any thing larger would require some sort of metal armature(sp). To apply the reinforcement, put a thin layer on the leaf then criss-cross the "tape" and gently press it in to the concrete, then apply an over layer. If any one has questions please ask. Since I have been following this line for a while I notice many ask about hypertufa......You can use hypertufa too.....obviously not as strong, but still just as fun. It is fine with me if you e-mail me directly. Dena - A couple more notes; 2 hand widths for me are about 14" (both hands spread thumb to little finger). The edges can be made stronger by adding a bit of the fortifier/bonding agent to the water that you are brushing over the back. For larger leaves the concrete will be thicker, this answer is a little trickier. You can make the back of the leaf as thick as you want, provided you let it cure, but I have found (because some of mine have split or cracked when I wasn't patient enough to wait for the concrete to set fully) that anywhere from 3/8"-1 1/4" is all the heaviest portion, weight bearing area of the leaf needs to be. - In regards to what to do with the leaves after you are done with them, and they have been painted or not. I place mine strategically in the garden as an ornament. A few of the "bowled" leaves have become water catchers and birds use them or other small animals. I have placed them on tree stumps for added height. Functional and/or just for fun. Thanks for the site with the furniture. I have been thinking about how to and believe I have it figured out. - I've made some of these leaf castings and would like to suggest that people start with small leaves first. Recently I've used Dutchman's Pipe, Ligularia, Plume Poppy and Red Cabbage! These small leaves are easy to use. I've put them in window boxes and other containers and used them as table decorations. My other piece of advice is to be patient before lifting them from their sand piles. It's hard but wait at least 2 days before you gently turn them over and then wait another couple of days before you handle them. You can add concrete reinforcing fibers to the mix when you're making larger leaves. Just be sure to sprinkle them onto the dry mix and mix well as they will clump. The only downside is that they will stick out a bit. After the leaf is dry you can burn the tiny ends off with a propane torch. Also, I don't do the saran wrap thing. I use thin dry cleaner bags over the whole pile of sand and put my leaf over that. Does all of this make sense? I guarantee you all will be amazed at the possibilities that concrete/cement presents after you've tried these leaves. When you get to larger leaves try burdock, comfrey, cabbage and castor bean. - I also use the dry cleaner bags, and have found I can shape the leaf over the wet sand that has been covered with wrap/bag. I tried to stress the PATIENCE thing, as it can be almost devastating to work so hard and have it break! For reinforcement of very large leaves it is still recommended to use chicken wire or stronger. I use fiberglass wall tape, for medium size leaves, the type used for patching wall board (there are several kinds so you have to read the label), anyway the tape doesn't show because you cover it with cement, and then wouldn't have to burn it off. By the way what do you use to burn it off, sometimes that Rhubarb can be a bit difficult to get off the cast. - I've made a number of these casts using hosta, rhubarb, grape, calla lily, rodgersia, ligularia, and most dramatic of all (to date), elephant ear caladium leaves. I use a mix of 2 parts sand to 1 part Portland cement, with an acrylic fortifier added. If you check with a concrete manufacturer/supplier (a home warehouse store will not have these items), you will be able to get white Portland Cement and white sand of varying grain sizes. I use white cement and 70 grit white sand to make beautiful, very dense casts. Using white materials also enables you to add minute amounts of colorants for pastel leaves. White Portland cement is about 3 - 4 times the cost of the regular grey; white sand is about twice as expensive. The problem of brittle, crumbling edges can be overcome by bringing the plastic wrap up over the edges of the concrete and kneading and working it much like you would "neaten" the edges of a pie crust you are rolling. If, after removing the leaf from the cast, you find you have very rough edges from not having neatened them sufficiently, you can gently "wet sand" the edges with the back of a ceramic tile or a similarly abrasive substance. I use pottery tools to coax stubborn bits of leaves out of the veins on the casts, followed by a bit of bleach in water to remove the discoloration caused by oxidation of the leaves on the white concrete. A word of caution: Sugar is commonly used by concrete contractors to retard the chemical process responsible for concrete setting up. If you have ever seen exposed aggregate, this is often accomplished by pouring Coca-Cola (I'm a Pepsi drinker, myself) over the surface of the newly poured concrete after the aggregate (gravel) has been tamped into it. This is later hosed off, taking with it the un set-up concrete and sand, leaving the top of the aggregate exposed. Sugar is present in various plant leaves to varying degrees. To date, I have been unsuccessful in making casts using water lily leaves, as the concrete fails to set up uniformly on the surface of them. Plus, with those leaves having the stem attached at a location other than the edge of the leaf (as with the waterlily), you will need to decide what to do with the stem when you make a cast - do you leave it in place (meaning you will have a hole in your cast) or do you cut it off and mold the concrete over the cut-off stem? If you cut it off, it will "leak" sugar into your concrete mixture, causing a pit in your completed cast. To date, I have tried patching the cut stem with tape as well as melted candle wax; however, neither method has been entirely satisfactory. - I use whatever colorants I can find! The home warehouse stores have a limited range of colorants - black, brown, red and buff. When mixed with white cement and sand, the buff looks very much like the lighter, more expensive terracotta. However, the red is too "plastic terracotta" looking for my taste. Check the craft stores for colorants (both liquid and powder) used for ceramic mosaic and stepping stone projects (can't remember the brand name - Mosaic something-or-other). Also, some stained glass stores stock a wide range of powdered colorants (Diamond-Crete and others) for use in mosaic stained glass projects. Truthfully, however, other than the white and buff, both of which I really like, I find I much prefer a subtle color wash of paint over that of the solid color the dyes afford, as I find the solid color too un-dimensional, flat, uninteresting and rather "dead". Have you seen the concrete acid dyes? Like paint, these are also applied to the surface of the concrete, as opposed to being incorporated into the mix, and look very "alive", with subtle variations in color. There was a thread awhile ago where someone provided the site of a company that sells these gorgeous dyes. While they were expensive, they did have a sampler package of 4 or 5 nice colors that went for around $40, I believe. However, despite having looked for the past 20 minutes, I *cannot* find it again! Sorry! Hope this helps. If not, feel free to post here again or e-mail me directly. Good luck! - I have a couple of questions and/or suggestions after reading this interesting post. For several years, I have been making stepping stones, and personalizing them for friends, using plants and leaves which I grow in my gardens and pressing them into the top of the stone, and "engraving" their name in the center of the stone. I make my own mold "rings", and work from the bottom up, placing the plants on the top, and pressing them into the concrete. I'm wondering why you start with the leaf on the bottom. Do you get better detail that way? Also, I'm wondering WHY you use fortifier. I have never seen or heard it being used before - and wonder what benefit I am missing. When making the stones, I leave them set for a good day before moving them, but also mist them with a mist bottle every hour or so, once they are set well. This makes for a much better cure. This "tip" came to me from a company that makes garden sculptures. They say if you can possibly immerse the "set" pieces in water for a month after casting or making them, they will be much stronger. SO, that brings me back to the question of the fortifier...Is it possible the spraying and soaking in water does they same thing as the fortifier (I'm assuming the fortifier is for strength.) I also use chicken wire in the middle of my stepping stones - just to be safe. I can see the above ideas very easily being adapted to making stepping stones, rather than just stopping at the outline shape of the object being "cast". Just a few "thoughts" and a couple questions. Thanks! I'm going to try some of the above ideas using what remaining rhubarb leaves I have left, and may even grab a hosta leaf or two right before a killing frost....thought they would be wilting before now, but not all of them have...fortunately for me! :-) - Billie, You are reading my directions correctly. When you "turn" the leaf out/over (after the dry time) you will then have a leaf with the top side that is now the veiny side up. It you decide to paint them you will be surprised to see they look very much like the actual leaf "right side up". I will attempt to post a few pictures of some of the leaves I have done. Dena - I have attempted to post a picture, but I don't really get how to......Someone out there write how to and I will then post them. - The majority of the leaves begin with a concrete colorant added at the time I am mixing and making the leaves. Then some are painted, mine are with acrylic paints that have been diluted slightly. I am interested in trying the concrete stains that are available, however they are only sold in pretty large size batches (for a patio/deck or sidewald area). I have yet to contact someone who does concrete pouring and ask if I can get a couple ounces of the stain to try. Also, a great big thanks for posting the picture. I still do NOT get how to do it. I have other pictures that are better and would really rather they were on the post. Thanks Dena - A few more specifics, how big is big enough? I have found that some leaves do not transport well, although I am sure there are a few florist's tricks that could help. Northern California, dependent on area should be well supplied with hostas, larger leafed deciduous trees, just about any squash, skunk cabbage, or other large cabbage leaves. Ask at your local nursery to go through their recent cullings (for their compost) of water plant leaves. Yes they will snarl a bit, but JUST ask, if you never ask you won't know. At the end of summer here (Edmonds Washington), I did not have a very big gunnera leaf, but I knew where a REALLLLLLLLY big plant was. The plant was heading into dormancy I just boldly stopped and asked. The owner was all too happy to give me a couple of leaves. I completed the 5footx5foot leaf in October......Will post pictures when I complete the project it is meant for (that I haven't quite got confirmed). Anyway if I had hemmed and hawed even a couple more days that option would have been gone. - Concrete is an extremely "castable" medium. If you use an artificial leaf you will get a cast of the leaf. An excellent method for doing duplicate castings, if you want them to all look the same. I would venture to guess there are numerous "silk greenhouse" leaves that could be used. Remember that if the veins of the artificial leaf are made of metal, the metal will adhere to the concrete. Plastic will not. You would need to oil or put some sort of release agent on the artificial leaf material. Cement will pick up LOTS of details, wanted or not. - Just found your site and getting some great ideas. Last spring/summer there was an article in Canadian Gardener about making concrete stepping stones using rhubarb leaves as molds. Very similar methodology but they used a premixed concrete formula, thus no need for measuring concrete and sand. Has anyone tried this and how did you find results. They recommended using a metal mesh (I assume chicken wire would be sufficient) for strength if you were planning to actually walk on them. Hoping to add some of these to my cottage garden next spring and like some of the other suggestions you've all provided here. - Read back a couple of comments. Where Eva has posted the link about Leaf shaped stepping stone instructions. I think these were written with premix cement mix in mind. In regards to using chicken wire, unless you are moving a car or a really heavy something or other across the stone(s)I do not think you would need to use chicken wire. My rule of thumb is anything wider/larger than 12-14" across should be reinforced. Up to about 20" you could use fiber tape (wall tape-very flexible). After patting about 1/2" of concrete mix put down a criss-crossed pattern of about 6 pieces of tape, then put the next 1" of concrete. I would recommend that stepping stones be 1 1/2" -2" thick for durability. One bag of premix (60lbs usually) is enough to make 3 14-16" stepping stones. One more thing about the premix, since it is premixed it has aggregate mixed in making the final product VERY strong on it's own. Now without droning on about all this I generally tell people to prepare more 'stone' or leaves or ideas than they think they will be making. There is only so many things one can do with left over blobs of concrete. Although that would be a whole nother thread for me, cuz I kind of like mud/concrete! Glad the thread was revived and hope it stays forward til spring when leaves start showing up again. Happy play time in the mud! I only wish I could find a bit more space in my garage for the projects I am working on. Take care. Dena - Not sure I quite understand, are you referring to a tree like structure? or a sand castle or both? You can concrete onto rebar in a tree form, and it will be really heavy, or you could scrunch and squish chicken wire together then pat a very dry mix of concrete (1-1 mix, cement and sand)with a tiny (really tiny) amount of fiber mesh and enough water to hold together without much slumping. If you use chicken wire make your structure skinnier than you want it to be cuz the concrete will add girth. For the sand castle you could carve it out of blue or pink insulation foam putting together the shape you want, then mix a thin slurry or paste of concrete smearing or painting it all over then apply a thicker coat of concrete (the mix mentioned above with or without the fiber mesh) over the top of that. If I haven't got you question covered feel free to say so. I love to try and brainstorm the how to. Although concrete is porous I think you could wrap a branch in thin wire (20 gauge)or fiber tape, all over then pat concrete over it encasing it. The wire would allow for some expansion and contraction if there was a lot of water around (like here in Washington!!!!!!!!). I haven't tried this yet only thinking about it. Let me know what you think. Dena - Hi, I have a "by gosh and by golly" way to do the leaves on stems. I have tried smaller ones such as nasturtiums that were supported on knitting needles, use as small bird seed or water feeders. I have also done larger hosta, rhubarb and darmarah leaves with copper pipe. For the smaller leaves; In addition to all the other stuff you need to do leaves you will also need one metal knitting needle, and a paper cup. here is what you do... To set up the knitting needle, poke the pointed end into the inside and out the bottom of the cup. The rounded end should be slightly about the rim of the cup. Set aside. After you have patted the concrete on to the leaf, gently wiggle the rounded end of the knitting needle into the back of the leaf (about where you would have put the hanger), and add a little concrete around the needle to further support the needle, then even more gently slide the rim of the cup to the edge of the concrete. To maintain a "straight" stem you may have to wrap plastic bags or a piece of burlap to help keep everything straight up. Remember the patience part is very important in this. Once you think it is dry (a couple days) remove the cup, and the stem should hold. Ok NOW for the larger leaves, similar principles, only using a threaded piece of copper pipe and a floor flange. Floor flanges are sold in the hardware store, and have a threaded end to hold your threaded piece of pipe (copper). As usual there is more than one variation here so bear with me: 1st Once your leaf has the concrete patted on it gently place your flange (be sure to put a small piece of tape on the underside of the flange so no concrete gets in)on the back of the leaf (where the hanger would have gone)and pat concrete on the rim of the flange so only the stem of the thread shows. Let this dry, along with the leaf. Once done you can screw the plain copper pipe/stem into the back, or if you prefer to concrete the pipe/stem, rough the surface a bit first apply concrete up to where the threads are, and let dry. Try it when the weather warms. I have lots of things in the works and am waiting for a little warmer place, to make sure everything sets up just right. Dena - Hi again, I had written a follow up to the above stuff and got booted out...Arrgh. To make the leaves stand up in the pond; create a concrete "frog" like the kind used in floral arrangements. It will have to be sort of substantial. Once the concrete is added to the form insert several pieces of greased dowels, at an angle, with a portion of the dowel still sticking out. Once the form is dry remove the dowels. Now the stems of the leaf or leaves can be inserted. The dowels have to be at an angle so the stem will hold the leaf in its place through pressure. I would make sure I had more holes than leaves just in case I wanted to increase the bouquet later. Also if you wanted to make the leaf/ves with water flowing over them that could be done by creating a hole all the way through where the flange was placed (look at the above post) and inserting a tube through the stem for the water to flow through. You would also have to slightly modify the "frog" base to accommodate this. I have not tried this but it is on my list of things. The instructions are how I see it being done. Anyone have any other ideas PLEASE share. I learn best from doing and learn so much from others who have worked to try and create something they have seen. Thanks Dena This may not be the place, but I would like to make a couple of comments about the GUNNERA plant. If you look at the Spring hill nursery site listed in the above link it says the leaves are 5-6 ft across, and the plant grows 6-9ft tall, and 9-12 ft wide. The do tend to grow sort of slow the first couple years, however realistically you need a VERY large area as each leaf is 3-6ft wide, and each plant gets (just a guess) around 25 leaves.. Spring hill mentions about 9-12 ft width, I don't think so. To begin with the math just doesn't add up. When I got my 5ft gunnera leaf, the plant that I got the leaf from was about 6 years old, had maybe 25 leaves on it, all large 3-6ft and the plant stood at least 15 ft tall, It was in front of a rambler house and it came to the roof line. The breadth/width of the plant was at the very least 12 feet wide but more like 20-30 feet wide. They do all their leaf development from Spring through September and go into complete dormancy in October, dying back to the ground. Pretty amazing. It is a novelty plant, and amazing to watch grow, well worth the cost and the little bit of effort it takes to have one, but you do need a lot of room. Dena - I have sold some of my leaves, anywhere from a few dollars to over one hundred dollars. when I go to garden shows I take a careful look at how others leaves are turning out. some are not to my taste, they are rougher looking and thick (very thick) or the color isn't what I would like. But that seems to be the beauty of this medium is that everyone likes their stuff just a bit different. I have a 'real' job outside of this pleasure so can not concentrate my efforts, and to me this is frustrating but I am not a gigantic risk taker, plus it is only a few years (4.5) to retirement, and I will still be young. Anyhow if you go to a nursery the price of the leaves will be greater however the nursery will take 1/2 or more. I set up a demonstration table for how to do leaves and hypertufa at a friends house whose garden was on the Edmonds garden tour, sold ALL of the previous demo pieces about 25 leaves leaves were 5-8" and 20 smaller hypertufa pots each was priced under ten dollars, took lots of names for upcoming workshop opportunities, and took a couple of orders for large rhubarb leaves. Large rhubarb leaves were not painted, one wanted dyed green the other plain grey, both leaves were about 40" across with a slight bowl and were being used to replace bird baths that had been broken, 125.00. I have been invited back to display in another participant's garden this year and will be adding a couple other things. My daughter helped by running the booth, a picnic table with an umbrella that we had strung lavender bundles all around and she had painted garden signs, while I did the demonstrations. My reasoning behind the price for the smaller pieces was that these people were not thinking there would be anything they could purchase along the tour, this year I will try to maintain the prices at 10 and under for smaller leaves, and take orders for larger ones. The hypertufa I will also try to maintain at reasonable price. Good luck on your venture, dependent on where you live and where you plan to sell you will see what the going price is. If you are lucky enough to be the only one, test the waters with a little higher price on your favorite ones and explain they are the ones you like best. Include pictures of how they are set up in your yard too. Be sure to have a book of pictures with you when you visit nurseries and a few examples in the car so they can really understand what you are promoting, plus if you see a really big leaf at the nursery they may be very willing to get the clippers out and give you a couple of large leaves if you will bring them one of the finished ones back, and display it for you. Dena - The hypertufa pots were done in deli cake lids, so they were about 10" across and 4" high with a space for a 4 inch planter inside. I displayed several with plants in them. Others were square and also held a 4" pot. Just a couple days ago saw a variety at the local Fred Meyer, planted with sedums the 10" size was 27.00, not bad really considering the 5 different varieties of sedum, but the pot was not very interesting. Dena - Teresa, to do a plaster mold as you are describing I think the leaf print will end up on the bottom side of the concrete cast/bowl. If you want a bowl shape with the leaf imprint inside and want to make a plaster mold/mother mold, here is what you would do. You will need a box big enough to hold the leaf in the shape you want, especially the depth of the curve, then make the box a bit bigger cuz you will need sand in it too. Place some sand in the box and wiggle the leaf into the shape you want it to end up like. The veins should be up, facing you. You will be making an impression with the non veiny side into the sand. Leave the leaf in place and mix up your plaster. You need to make up enough plaster to fill the void in the bowl of the leaf, and a lip around the outside of the leaf. Pour your plaster slowly over the leaf (remember it is still in place). Let it set up, it will generate some heat. Your mold may weigh a lot when done. To eliminate some of the weight you could pour the plaster in to the leaf and gently up the sides trying to create only an inch or so depth, place a piece of foam or cardboard, or wadded up newspaper, into the space and add more plaster around that. When turned out, dependent on size of the leaf wait for at least a day another lesson in patience, you will have a dome shape with the leaf imprint on the outside of the dome. The mold should cure for at least a week?s time, before using. When you do use it be sure to use mold release, cuz concrete also generates some heat. I personally would find this method a bit too time consuming, I prefer the uniqueness of each leaf, however if it were a business you would want a mother mold of some sort, likely latex rubber in a plaster mold. As for painting, there are lots of options, watered down latex, min wax water based stains, I generally use watered down acrylics just because there are SOOOO many color options in the little craft paints to experiment with. As for sealer you can use that, check out what is in the cement isle or the tile isle. The sealer should not be applied prior to the concrete fully curing 28 days or longer. I know someone else will have a different take on this. I also hope we do not run out of space on this post. It is very useful information, and great ideas have been sparked here. Dena - Thank you so much for replying Dena. This posting thing is brand new to me.I have enjoyed all the information you have shared here. Your pictures are inspiring to say the least. My mother Lois and my self Stafford, like creative projects such as this. I plan to make some concrete urns, and paint them. When we figure out how to down load pictures, I would like to get them out there. Thanks again, Lois and Staff. - What do you think??? I am not sure if I read this on here or someplace else? For those of us that do not have these huge leaves....make your leaves yourself...what about that table cloth fabic that is so flexible...and I read someplace where you can use caulking and glue to create the viens of the leaf...HAS ANYONE TRIED THIS? PLEASE LET ME KNOW.... thanks.. - My mum's rhubarb leaves are finally HUGE - I'm so happy (sorry graniegirl41, but I'd definitely think it'd be worth trying the caulking on cardboard) So I tried 5 today; I dug shallow holes in my garden and poured them this morning, and now I'm so tempted to go out there and try to take them out - but I won't - till tomorrow!! Teresa - Teresa, Of course we will want pictures. Are you making stones to walk on, or shallow bird baths, what? you dug a hole and placed the veiny side down........? Do tell more. I just did a couple of gunnera leaves last night, long process. Good for you your patience will be rewarded!!!!!! Fortunately I am out of town for a couple full days and will NOT BE TEMPTED to turn them over. I will post some pictures next week. Again I hope this thread does not disappear as a result of getting to 100. Spike, if you are listening please let us know what to do. THIS IS IMPORTANT.....Dena - Hi - oh no, I should have left town.... I picked one up this morning and pulled the leaf off, there was a crack in it and it broke.....sob sob.... But I've learned a lesson, and I will not touch the other 4 for a few days... I'll be scuba diving tomorrow so at least I won't be tempted for one more day :-) These will be stones to use as decorations - I'll use some sand next time and try some shallow bird baths too. We now have unlimited leaves!!!! Can't wait to see pics of yours Dena - do you reinforce them with anything, or just wait till they cure well??? Teresa - I'm a rookie at leaf sculpting, and am trying to design a water feature utilizing the leaves where the water will cascade down several into the pool. I'm having trouble with how to "mount the leaves." At this point, I have only come up with contouring the ground into steps on which to place the leaves. My slope may or may not be steep enough to "naturally" do this. Does anyone have any thoughts on how else I may do this? Thanks- Dee - I don't have any good suggestions for you Dee. I am thinking about mounting copper tubing into the concrete around the stem this year to make a re-circulating fountain. Last year, thanks to all of the instructions, pics and links on this forum, I made about 50 concrete leaves, mostly burdock. I started with sitting leaves then I had a request for a leaf you could hang on the wall so I embedded picture wire on the backs of most of the rest. I also made some nasturtiums with "stems" of coat hangers. I had to tape the coat hanger to a table edge while the concrete cured. I painted the "stem" green. They look pretty dorky. I also made a hypertufa birdbath last year. Yesterday I made my first large concrete rhubarb leaf. Someday I hope to post some pictures. Thanks again for everyone's help! - Hi Dena and other leaf people out there. I've made three leaves so far. The first one was a great success. It's rhubarb and about 11 inches by 8 inches. I made it for my mom for Mother's day. It's been primed with thick white gesso. Then it was painted a pastel green and wiped down while still wet. She doesn't want it outside, so it sits on the kitchen table. The next one isn't coated yet. It's a really big rhubarb with the fiber tape reinforcement that Dena suggested in her postings. Its heavy and thick and will end up outside. The last one which isn't coated yet is a small calla lily leaf which was laid flat when it was poured. Does anyone know what to do with the big bulges that are on the rhubarb leaves? - Hi Dena and others; the bulges I referred to earlier are to the sides of center and towards the bottom of a rhubarb leaf. As the leaf gets big, the bulges as you face the leaf can come towards you several inches. When you place the leaf on the pile of sand these bulges don't allow the leaf to lay down in those two areas. When you put the concrete on top it smashes down and folds the leaf in these spots. Is there any way to cope with this? The reason I put white gesso on the first leaf I did was just to experiment. I bought a sea sponge and want to experiment with that also on the next leaves I do. I sent an E-Mail to you earlier but forgot to put a title on it. You mentioned earlier that if this site gets to 100 something happens. - Try molding the sand according to the natural rises and falls in the leaf, retaining as much of the leaf's shape as possible. - To assist in the undulation of the leaf, support the waves with rolled newspaper under the plastic, or with sand. I have found the paper or bunched up plastic works easier than sand, and I can do this when I come to the spot a while I am placing the mix on the leaf. Using the paper/plastic I can adjust it without getting sand on the leaf mix. I made several more this weekend. My gunnera plant is getting pretty darn big and looking forward to fall. Dena, this will be a test as I have heard at 100 the posts go away, had no idea I would be the 100th poster. Guess will just have to restart the post. Right SPIKE?

QUESTION I want to make a bead totem, really badly. I'm also not sure if the mixture needs to be more pourable than packable. I was going to do the sand casting method. Could I use a quickcrete mixture recipe? ANSWERS Here are two "recipes" used by members LIGHTWEIGHT CONCRETE MIX (FOR "BEADS") 1 part Portland cement 2 parts perlite 2 parts play sand a handful of fibers (fiber mesh) HYPERTUFA MIX (FOR "BEADS") 1 part Portland cement 1 part sand 2 parts peat moss *********************************************************** Since the beads I made were cast in molds, I made the hypertufa mix wetter than usual, somewhere between pourable and packable. Quikrete sand topping mix should work for making beads. Your beads will just be heavier than ones made of lightweight concrete or hypertufa. I say give it a try. ************************************************************ The Quikrete 'tufa recipe should work fine. And, as small as most beads are, even using Quikrete sand topping mix straight should give you beads that aren't too heavy to handle. I think you'll like the texture of 'tufa beads better though. ************************************************************ In sand casting make sure your sand is nice and wet so it doesn't pull out to much of the water in the tufa mix. Mixing the cement · 1 part portland cement · 2 parts Perlite · 2 parts play Sand · Fiber mesh · Color Molding the Beads · wet the sand ~ using spray bottle of water · mold in sand using ball, bottle or anything you want · press beads gently into side of sand mold · use finger to poke for a dot or make a swirly in sand - anything you want to have protrude on the completed bead · coupling in base, cap in finial and 1 rod for height Let Bead sit for at least 20 hours Un-Molding the Beads · gently lift bead from mold · remove excess sand · rinse in bucket of water · use rasp to file edges smooth and any other flaws · sculpt anything you want at this time · rinse and set aside to dry Painting the Beads · oxide/portland cement and water · techniques vary 1. paint 2. paint and spray for mottled look 3. Dry Brush 4. Imagination *********************************************************** MORE QUESTIONS Are the tubes coated with anything special before putting them in the center and when did you pull them out? Someone said she "cut" the hole out after a couple hours, but her molds were solid and I don't know that cutting would work in sand. How thick was your mixture? It looks as if some of them have been molded on the top with a form; Is that all freehand? Do embellishments really stick or primarily just make an impression to be glued in place later? I'd probably want to stick shells, marbles, etc. Do they need to be cured or just left to dry? I haven't done 'tufa yet and there is the whole spraying and wrapping aspect, or is that mainly for planters? Do you think the fibermesh is necessary? I'm in CA, we don't have freeze/thaw issues. *********************************************************** MORE ANSWERS The tubes become wet and just tear or roll right out. The mix is quite thick but it would be difficult to xompare it to something recognizable - a good stiff cookie dough The amount of fiber is small in comparison to ALL of the other ingredients. If you are using a cup measure for the other ingredients the fiber mesh would only be a "pinch," up to a tablespoon The forming above the sand is done by hand. Once you get your hands in the stuff you will see how easy it is to really form above sand The embellishments - stone, marble, toys, whatever - are meant to stick with the actual totem. If they fall out, a little silicon will stick them back. None of the sand casting that I have done has resulted in any of the embellishments coming out. Once stuck, they are there. The beads need to dry prior to removing them from their space, however the curing goes on and on and on....even after 28 days. It is best to remove the beads from their mold within the 24 hour period, as they are more workable, file-able, carveable, etc. The beads can be stacked the day you remove them from the mold, however they are still fragile, so no lifting the entire totem by a bead, or dropping! They will break! The fiber mesh is not necessary, however it does a couple of things: it "grabs" all the other ingredients and it also "grabs" onto the embellishments. If you are not planning to use fiber mesh, consider adding a bit of bonding/fortifier admix with the first addition of water to your mix, say 1 TBL to the first cup of water (But, I hesitate to change the recipe here). ************************************************************ I think you can definitely make a neat totem on your own (and especially with people here to give suggestions and provide help.). When I tried sand casting beads on my own, I felt that I could have benefited most from a class by seeing how wet the mix was, how wet the sand was, how shapes in the sand were made for casting, and how the tops of the beads were formed, but it was fun to play in the sand and experiment by myself, too. Some things I did the first time that I wouldn't do again are: made the cement/sand/perlite mix too wet. made the shape in the sand (the "mold" for casting) too indistinct - you need to make a really good imprint in the sand of the shape you want your bead to be (example: box, bowl, glass, hand, etc.). made the lines, dots, and other designs in the sides of the sand "molds" too shallow - you need to draw these on with tools (pencil, knitting needle, clay tools, dental tools, etc.) and then reinforce the designs with a tool or your index finger. One of the things to remember about totem beads is that part of the charm is in the imperfections. Give it a try you'll love it! *********************************************************** I used the sand casting method, imbedded some marbles, and used some bright colors, turned out really funky looking. ********************************************************** QUESTION What kind of paints did you use on yours? ANSWER I used good old Patio Paints. ********************************************************** EVEN MORE TIPS & TRICKS When I decided to try sand casting beads, a member sent me an e-mail giving me some pointers, tips, and suggestions based on her experience. Since it was so helpful to me, I would like to share that information here to be used by anyone interested in trying this. The sand should be wet enough to hold shape, not so wet that there is a puddle on top. Similar to what would be used for sand castle building. The depth of the sand is just what you think, as deep as the deepest bead with enough sand on the bottom so your mix doesn't come in contact with your sand container (or it might stick there). We worked in sand beds about 3" deep. They had set up another couple beds that had additional edging (lawn edging) on the side to make the space deeper. Shaping of the sand is done with your hand and other tools, too. Initial shape is drawn with your finger on the smoothed damp sand, then start scooping out the shape. If you are wanting a straight sided bead, you could use a can and push it down to compact the sides. Once you have your shape and the sides are sort of compacted, you begin to make your design. By poking your finger into the sand, it will create a knob when turned out. Sometimes you may want to use the end of a wooden spoon or a drumstick, etc.... To draw a swirl, or a line, first draw with a stick, pencil, your finger, the line you want. Then come back and with your finger or end of the pencil begin to compress the line into the sand. All the sand that falls down can be scooped out. In addition, you should have on hand a chip brush (cheap paint brush) and a couple other little paint brushes to kind of feather the sand down to the bottom so you can scoop it out. Plus, you can dampen the brush and pick up stray sand. You can spritz your sand if you think it is getting too dry. Before you put your mix in, decide if you are going to use any beads, baubles, etc. Place the side you want to show into the sand and only SLIGHTLY push in - you want the bottom of the tile, or bead to be sticking out slightly so that cement will grab it. Then you need to have a toilet paper, or paper towel cardboard tube to gently stand in the middle of the hollow space. The tube will be wet by the next day and easily separates from the bead. Note: When you put in your design and tiles, do not go too close to the tube as it will not show because another bead will be on top. When your mix is ready, it should not be very wet. Begin by holding a small handful in your gloved hands and gently toss it back and forth to get it to gel a bit. Now hold the glob in one hand while holding your other hand over the top of the cardboard tube. Gently slide the glob to the side of the tube and repeat. You then gently push the glob down so it spreads out to the sand sides. Keep adding globs until it is full. Now for the top. Because your mix is not real wet, you will be able to form the top by adding a couple more globs, then bringing it up to the tube in whatever shape you want. I did mostly little finger swirls or lines here. Then you can press in any beads you want. To do the finial or top piece, there are a couple of options. (It is ALL optional, I guess) We used a 1" steel threaded cap piece. Hollow out your shape and designs for the top. Place the cap, threaded side down, into the bottom of the space. Then, place your globs of cement into the shape and any top pieces. We used a 3" cast iron finial (there are several suppliers on the net). Once it begins to slightly set up, we wiggled the iron finial into the cement and brought a little up the side to secure it, then shaped the portion of cement that showed, or added tiles, beads etc. To do the base, we patted damp wand into a plastic mixing bowl and drew our design and tiles, etc. into the exposed sand. The bottom of the bowl becames the top of the base. Then we placed the 1" steel coupling into the middle. The coupling was hollow and we filled it with sand so no concrete got in. Then, begin to fill the rest of the space with concrete. At the top, we smoothed the mix because this is really the bottom - no need to put a design on it. When this is turned out, the threaded portion will be on the top and the sand can be sprayed out with water. I wrote all this out and am thinking it will seem overwhelming, but it really is a simple process!!!! I do know that if you don't have supplies on hand, one could easily get frustated. I think you need to have: 1) water sprayer 2) 2 plastic mixing bowls - one to mix in and one to create your base in 3) a few inexpensive paint brushes 4) several different things to shape with 5) cardboard tubes (paper towel, toilet paper, gift wrap) 6) a bucket of water to rinse hands, tools and bowls One of the totem workshop teachers suggested that we each make a couple "spacer beads", although none of us did. She was, of course, correct! The spacer bead is done like the other beads except not very deep, and the top (part showing while being made) is flat. Maybe make a couple about 1-2". ********************************************************** QUESTION Are the spacer beads meant to keep everything in a nice upright position or do they serve another purpose? ANSWER Actually the metal pipe keeps the totem straight. Spacer beads might help to level sections with more irregularly-shaped beads somewhat. But, the real purpose of spacer beads is to make some space between your fancier beads (ones with marbles, tiles, shells, beads, raised designs, etc.) so the decorations can be seen and don't get lost. ********************************************************** QUESTION What kind of rod/pole do you use to put the beads on? ANSWER I used plumbing pipe for the rod to put the beads on. **********************************************************